An Essay on the Writings and Genius of Shakespeare Compared with the Greek and French Dramatic PoetsR. Priestley, 1966 - 296 pagina's |
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Pagina 11
... spectator . The business of the Drama is to excite sympathy ; and its effect on the spectator depends on such a justness of imitation , as shall cause , to a certain degree , the same passions and affections , as if what was ex- hibited ...
... spectator . The business of the Drama is to excite sympathy ; and its effect on the spectator depends on such a justness of imitation , as shall cause , to a certain degree , the same passions and affections , as if what was ex- hibited ...
Pagina 12
... spectator by ex- pressing his feelings , instead of conveying to us the strong emotions and sensations of the persons under the pressure of dis- tress . Experience informs us , that even the inarticulate groans and involuntary ...
... spectator by ex- pressing his feelings , instead of conveying to us the strong emotions and sensations of the persons under the pressure of dis- tress . Experience informs us , that even the inarticulate groans and involuntary ...
Pagina 71
... spectator what is past , and opens the source of the future rebellion ; and by connecting former transactions with the present passions and events , creates in the reader an interest and a sympathy , which a cold narration or a pompous ...
... spectator what is past , and opens the source of the future rebellion ; and by connecting former transactions with the present passions and events , creates in the reader an interest and a sympathy , which a cold narration or a pompous ...
Inhoudsopgave
Upon the Death of Julius Cæsar | 223 |
Dialogue I | 267 |
Dialogue II | 276 |
Copyright | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation interest judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy translation virtue Voltaire vulgar witches words writers