An Essay on the Writings and Genius of Shakespeare Compared with the Greek and French Dramatic PoetsR. Priestley, 1966 - 296 pagina's |
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Pagina ix
... soliloquy , and its extravagant sentiments , in the true Gothic livery of rhyme ? The French poets assume a superiority over Shakspeare , on account of their more constant adherence to Aristotle's unities of time and place . The pedant ...
... soliloquy , and its extravagant sentiments , in the true Gothic livery of rhyme ? The French poets assume a superiority over Shakspeare , on account of their more constant adherence to Aristotle's unities of time and place . The pedant ...
Pagina 106
... soliloquy , who she is , and all that happened to her at Aulis . As Aristotle gives this play the highest praise , we may be assured it did not in any respect of- fend the Greek taste : and Boileau not injudiciously prefers this simple ...
... soliloquy , who she is , and all that happened to her at Aulis . As Aristotle gives this play the highest praise , we may be assured it did not in any respect of- fend the Greek taste : and Boileau not injudiciously prefers this simple ...
Pagina 201
... soliloquy . CINNA , TRAGEDIE . ACTE PREMIER . SCENE PREMIERE . EMILIE . Impatiens désirs d'une illustre vengeance , Dont la mort de mon père a formé la naissance , Enfans impétueux de mon ressentiment , Que ma douleur séduite embrasse ...
... soliloquy . CINNA , TRAGEDIE . ACTE PREMIER . SCENE PREMIERE . EMILIE . Impatiens désirs d'une illustre vengeance , Dont la mort de mon père a formé la naissance , Enfans impétueux de mon ressentiment , Que ma douleur séduite embrasse ...
Inhoudsopgave
Upon the Death of Julius Cæsar | 223 |
Dialogue I | 267 |
Dialogue II | 276 |
Copyright | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation interest judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy translation virtue Voltaire vulgar witches words writers