An Essay on the Writings and Genius of Shakespeare Compared with the Greek and French Dramatic PoetsR. Priestley, 1966 - 296 pagina's |
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Pagina 5
... relation to philosophy , that he brought poetry from heaven , to live in cities among men . The moral of the fable of the Iliad is adapted to the political state of Greece , whose various chiefs are thereby exhorted to unanimity ; the ...
... relation to philosophy , that he brought poetry from heaven , to live in cities among men . The moral of the fable of the Iliad is adapted to the political state of Greece , whose various chiefs are thereby exhorted to unanimity ; the ...
Pagina 13
... relation in a very strong and lively man- ner ; but it is only by the vehemence with which he speaks of them , and ... relations of pa- rent and child . The pangs of paternal tenderness , tenderness , thus wounded , are more pathe ...
... relation in a very strong and lively man- ner ; but it is only by the vehemence with which he speaks of them , and ... relations of pa- rent and child . The pangs of paternal tenderness , tenderness , thus wounded , are more pathe ...
Pagina 37
... relation of humanity : nor , unless we are particularly acquainted with the original character , can these distinguish- ing marks have the merit of heightening the resemblance , and animating the por- trait . We are apt to consider ...
... relation of humanity : nor , unless we are particularly acquainted with the original character , can these distinguish- ing marks have the merit of heightening the resemblance , and animating the por- trait . We are apt to consider ...
Inhoudsopgave
Upon the Death of Julius Cæsar | 223 |
Dialogue I | 267 |
Dialogue II | 276 |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation interest judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy translation virtue Voltaire vulgar witches words writers