An Essay on the Writings and Genius of Shakespeare Compared with the Greek and French Dramatic PoetsR. Priestley, 1966 - 296 pagina's |
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Pagina 17
... poet , in his closet , in assorting male and fe- male rhymes . We have already remarked , that the more we revert from the stage to the poet , the less we shall be affected by what is acted ; and therefore if the diffi- culty of rhyme ...
... poet , in his closet , in assorting male and fe- male rhymes . We have already remarked , that the more we revert from the stage to the poet , the less we shall be affected by what is acted ; and therefore if the diffi- culty of rhyme ...
Pagina 18
... poet , but is the effect of his making us alter- nately hope and fear for this guiltless , un- happy man . We wait with trembling ex- pectation for the answer of the oracle , and for the testimony of Phorbas , because we imagine that ...
... poet , but is the effect of his making us alter- nately hope and fear for this guiltless , un- happy man . We wait with trembling ex- pectation for the answer of the oracle , and for the testimony of Phorbas , because we imagine that ...
Pagina 104
... poet's brain . The originals lost and the mode forgotten , one can neither praise the imi- tation , nor laugh at the ridicule . Comic writers should therefore always exhibit some characteristic distinctions , as well as tempo- rary ...
... poet's brain . The originals lost and the mode forgotten , one can neither praise the imi- tation , nor laugh at the ridicule . Comic writers should therefore always exhibit some characteristic distinctions , as well as tempo- rary ...
Inhoudsopgave
Upon the Death of Julius Cæsar | 223 |
Dialogue I | 267 |
Dialogue II | 276 |
Copyright | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation interest judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy translation virtue Voltaire vulgar witches words writers