An Essay on the Writings and Genius of Shakespeare Compared with the Greek and French Dramatic PoetsR. Priestley, 1966 - 296 pagina's |
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Pagina xvii
... object of consideration , if we do not remember the different circum- stances under which these writings were com- posed . Shakspeare's plays were to be acted in a paltry tavern , to an unlettered audience , just emerging from barbarity ...
... object of consideration , if we do not remember the different circum- stances under which these writings were com- posed . Shakspeare's plays were to be acted in a paltry tavern , to an unlettered audience , just emerging from barbarity ...
Pagina 19
... object of the Drama : and the manner of con- ducting their tragedy seems no less a de- viation from that which the great poets practised , and the best critics taught . they have avoided monstrous errors and C 2 If absur- absurdities ...
... object of the Drama : and the manner of con- ducting their tragedy seems no less a de- viation from that which the great poets practised , and the best critics taught . they have avoided monstrous errors and C 2 If absur- absurdities ...
Pagina 21
... objects of too great horror for the spectator ; but is not Theseus , in the midst of plagues and famine , ado- ring les beaux yeux of the princess Dirce , as much an object of ridicule ? Fine dialogues of love , interwoven with a tale ...
... objects of too great horror for the spectator ; but is not Theseus , in the midst of plagues and famine , ado- ring les beaux yeux of the princess Dirce , as much an object of ridicule ? Fine dialogues of love , interwoven with a tale ...
Inhoudsopgave
Upon the Death of Julius Cæsar | 223 |
Dialogue I | 267 |
Dialogue II | 276 |
Copyright | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation interest judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy translation virtue Voltaire vulgar witches words writers