An Essay on the Writings and Genius of Shakespeare Compared with the Greek and French Dramatic PoetsR. Priestley, 1966 - 296 pagina's |
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Pagina 43
... less pleas- ing kind , than those excited by the ad- miration of exquisite beauty , and perfect excellence of workmanship . Perhaps he should rather be accounted a nice virtuoso than a consummate critic , who prefers the Poet or ...
... less pleas- ing kind , than those excited by the ad- miration of exquisite beauty , and perfect excellence of workmanship . Perhaps he should rather be accounted a nice virtuoso than a consummate critic , who prefers the Poet or ...
Pagina 81
... less charged with absurdities , and less involved in confusion . It is in- deed liable to those objections , which are made to Tragi - comedy . But if the pe- dantry of learning could ever recede from its dogmatical rules , I think that ...
... less charged with absurdities , and less involved in confusion . It is in- deed liable to those objections , which are made to Tragi - comedy . But if the pe- dantry of learning could ever recede from its dogmatical rules , I think that ...
Pagina 88
... less just , and consequently less agreeable to our judgments . Gluttony , corpulency , and cowardice , are the peculiarities of Falstaffe's composition : they render him ridiculous without folly , throw an air of jest and festi- vity ...
... less just , and consequently less agreeable to our judgments . Gluttony , corpulency , and cowardice , are the peculiarities of Falstaffe's composition : they render him ridiculous without folly , throw an air of jest and festi- vity ...
Inhoudsopgave
Upon the Death of Julius Cæsar | 223 |
Dialogue I | 267 |
Dialogue II | 276 |
Copyright | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation interest judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy translation virtue Voltaire vulgar witches words writers