An Essay on the Writings and Genius of Shakespeare Compared with the Greek and French Dramatic PoetsR. Priestley, 1966 - 296 pagina's |
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Pagina vii
... language , in which she once addressed the human heart , and the artificial dialect which she has acquired from the prejudices of a particular nation , or the jargon caught from the tone of a court . In or- der to please upon the French ...
... language , in which she once addressed the human heart , and the artificial dialect which she has acquired from the prejudices of a particular nation , or the jargon caught from the tone of a court . In or- der to please upon the French ...
Pagina 17
... language . — If that be the case , it is plain neither the French trage- dians endeavour at , nor their audience ex- pect from them , the true perfections of the Drama . For , by the same rule , if Hercules was represented under the ...
... language . — If that be the case , it is plain neither the French trage- dians endeavour at , nor their audience ex- pect from them , the true perfections of the Drama . For , by the same rule , if Hercules was represented under the ...
Pagina 120
... language a mysterious solemnity , favourable to superstition in ge- neral , with something highly characteristic of each particular being which he exhibits . His witches , his ghosts , and his fairies , seem spirits of health or goblins ...
... language a mysterious solemnity , favourable to superstition in ge- neral , with something highly characteristic of each particular being which he exhibits . His witches , his ghosts , and his fairies , seem spirits of health or goblins ...
Inhoudsopgave
Upon the Death of Julius Cæsar | 223 |
Dialogue I | 267 |
Dialogue II | 276 |
Copyright | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation interest judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy translation virtue Voltaire vulgar witches words writers