An Essay on the Writings and Genius of Shakespeare Compared with the Greek and French Dramatic PoetsR. Priestley, 1966 - 296 pagina's |
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Pagina 158
... fear thy nature ; It is too full o'th ' milk of human kindness To catch the nearest way . Thou would'st be great ; Art not without ambition ; but without The illness should attend it . What thou would'st highly That That wouldst thou ...
... fear thy nature ; It is too full o'th ' milk of human kindness To catch the nearest way . Thou would'st be great ; Art not without ambition ; but without The illness should attend it . What thou would'st highly That That wouldst thou ...
Pagina 160
... fear of punishment . Cly- temnestra is represented by Euripides , as under great terrors , on account of the mur- der of Agamemnon ; but they arise from fear of punishment , not repentance . It is not the memory of the assassinated ...
... fear of punishment . Cly- temnestra is represented by Euripides , as under great terrors , on account of the mur- der of Agamemnon ; but they arise from fear of punishment , not repentance . It is not the memory of the assassinated ...
Pagina 244
... fear , I wrong the honourable men , Whose daggers have stabb'd Cæsar . I do fear it . 4 PLEBEIAN . They were traitors , & c . ANTONY . You will compel me then to read the will ? Then make a ring about the corpse of Cæsar , And let me ...
... fear , I wrong the honourable men , Whose daggers have stabb'd Cæsar . I do fear it . 4 PLEBEIAN . They were traitors , & c . ANTONY . You will compel me then to read the will ? Then make a ring about the corpse of Cæsar , And let me ...
Inhoudsopgave
Upon the Death of Julius Cæsar | 223 |
Dialogue I | 267 |
Dialogue II | 276 |
Copyright | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation interest judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy translation virtue Voltaire vulgar witches words writers