An Essay on the Writings and Genius of Shakespeare Compared with the Greek and French Dramatic PoetsR. Priestley, 1966 - 296 pagina's |
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Pagina 9
... dramatic manner . Writers of feeble ge- nius , in their compositions for the stage , frequently deviate into the narrative and descriptive style ; a fault for which nothing can atone ; for the Drama is a species of poetry , as distinct ...
... dramatic manner . Writers of feeble ge- nius , in their compositions for the stage , frequently deviate into the narrative and descriptive style ; a fault for which nothing can atone ; for the Drama is a species of poetry , as distinct ...
Pagina 11
... Drama is greatly weakened and enervated , and the theatrical piece is deprived of that peculiar influence over the mind , which it derives from the vivid force of representation . Segniùs irritant animos demissa per aurem , Quàm quæ ...
... Drama is greatly weakened and enervated , and the theatrical piece is deprived of that peculiar influence over the mind , which it derives from the vivid force of representation . Segniùs irritant animos demissa per aurem , Quàm quæ ...
Pagina 16
... Drama : and indeed many plays are little more than poems rehearsed ; and the theatrical deco- rations are used rather to improve the spectacle , than to assist the drama , of which the poet remains the apparent hero . We are told by a ...
... Drama : and indeed many plays are little more than poems rehearsed ; and the theatrical deco- rations are used rather to improve the spectacle , than to assist the drama , of which the poet remains the apparent hero . We are told by a ...
Inhoudsopgave
Upon the Death of Julius Cæsar | 223 |
Dialogue I | 267 |
Dialogue II | 276 |
Copyright | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation interest judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy translation virtue Voltaire vulgar witches words writers