An Essay on the Writings and Genius of Shakespeare Compared with the Greek and French Dramatic PoetsR. Priestley, 1966 - 296 pagina's |
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Pagina 101
... base and abject routs , Led on by bloody youth , goaded with rage , And countenanc'd by boys and beggary ; 1 say , In his true , native , and most proper shape , You , reverend father , and these noble lords , Had not been here to dress ...
... base and abject routs , Led on by bloody youth , goaded with rage , And countenanc'd by boys and beggary ; 1 say , In his true , native , and most proper shape , You , reverend father , and these noble lords , Had not been here to dress ...
Pagina 200
... base , and timid . Maximus , the other conspirator , seems at first a better character ; but in the third act he makes a most lamentable con- fession to a slave , of his love for Emilia , and his jealousy of Cinna : this slave gives ...
... base , and timid . Maximus , the other conspirator , seems at first a better character ; but in the third act he makes a most lamentable con- fession to a slave , of his love for Emilia , and his jealousy of Cinna : this slave gives ...
Pagina 257
... base fawnings , he translates , the airs of a setting dog . Le- cher les pieds is not a proper translation of to fawn . Fawning courtiers would be strangely rendered by feet - licking courtiers ; a fawning style , afawning address , are ...
... base fawnings , he translates , the airs of a setting dog . Le- cher les pieds is not a proper translation of to fawn . Fawning courtiers would be strangely rendered by feet - licking courtiers ; a fawning style , afawning address , are ...
Inhoudsopgave
Upon the Death of Julius Cæsar | 223 |
Dialogue I | 267 |
Dialogue II | 276 |
Copyright | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation interest judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy translation virtue Voltaire vulgar witches words writers