An Essay on the Writings and Genius of Shakespeare Compared with the Greek and French Dramatic PoetsR. Priestley, 1966 - 296 pagina's |
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Pagina 30
... of the costumi , and that the dramatic poet , who is to imi- tate sentiment , discourse , and action , should be allowed to neglect them . ON ON THE HISTORICAL DRAMA . Nec minimum meruere decus , 30 ON DRAMATIC POETRY .
... of the costumi , and that the dramatic poet , who is to imi- tate sentiment , discourse , and action , should be allowed to neglect them . ON ON THE HISTORICAL DRAMA . Nec minimum meruere decus , 30 ON DRAMATIC POETRY .
Pagina 103
... allowed , that the speeches of Westmorland and Lancaster are as proper on this occasion , and the par- ticular circumstances as happily touched , as they could have been by the most judicious orator . orator . I know not that any poet ...
... allowed , that the speeches of Westmorland and Lancaster are as proper on this occasion , and the par- ticular circumstances as happily touched , as they could have been by the most judicious orator . orator . I know not that any poet ...
Pagina 106
... allowed so , in which the greatest masters have very seldom succeeded . Euripides is not very happy in this respect . Iphigenia in Tauris begins by telling , to herself , in a pretty long soliloquy , who she is , and all that happened ...
... allowed so , in which the greatest masters have very seldom succeeded . Euripides is not very happy in this respect . Iphigenia in Tauris begins by telling , to herself , in a pretty long soliloquy , who she is , and all that happened ...
Inhoudsopgave
Upon the Death of Julius Cæsar | 223 |
Dialogue I | 267 |
Dialogue II | 276 |
Copyright | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation interest judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy translation virtue Voltaire vulgar witches words writers