An Essay on the Writings and Genius of Shakespeare Compared with the Greek and French Dramatic PoetsR. Priestley, 1966 - 296 pagina's |
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Pagina 38
... action ; which every reader of pe- netration will find the invariable practice of our author : and when he introduces a general maxim , it seems drawn from him by the occasion . As it arises out of the action , it loses itself again in ...
... action ; which every reader of pe- netration will find the invariable practice of our author : and when he introduces a general maxim , it seems drawn from him by the occasion . As it arises out of the action , it loses itself again in ...
Pagina 227
... action of one sort , and raises emotions and passions of another sort . He excites the sympathies , and the concern , proper to the story . The passion of love , or maternal affection , may afford good subjects for a tragedy . In the ...
... action of one sort , and raises emotions and passions of another sort . He excites the sympathies , and the concern , proper to the story . The passion of love , or maternal affection , may afford good subjects for a tragedy . In the ...
Pagina 269
... action in idle speculation and the sport of words . CADMUS . An ambition to have a place in the re- gisters of fame is the Eurystheus , which imposes heroic labours on mankind . The Muses incite to action , as well as entertain the ...
... action in idle speculation and the sport of words . CADMUS . An ambition to have a place in the re- gisters of fame is the Eurystheus , which imposes heroic labours on mankind . The Muses incite to action , as well as entertain the ...
Inhoudsopgave
Upon the Death of Julius Cæsar | 223 |
Dialogue I | 267 |
Dialogue II | 276 |
Copyright | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation interest judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy translation virtue Voltaire vulgar witches words writers