An Essay on the Writings and Genius of Shakespeare Compared with the Greek and French Dramatic PoetsR. Priestley, 1966 - 296 pagina's |
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Pagina ix
... French romances in the last age , nor which , from its te- diousness , languor , and want of truth of cha- racter , is less fit to be copied on the stage : and what are most parts of Corneille's boasted tra- gedies , but the romantic ...
... French romances in the last age , nor which , from its te- diousness , languor , and want of truth of cha- racter , is less fit to be copied on the stage : and what are most parts of Corneille's boasted tra- gedies , but the romantic ...
Pagina 16
... French tragedians , on the contrary , attend not to the nature of the man , whom they represent , but to the ... French critic , that the great pleasure of a French audience arises from a reflection on the difficulty of rhyming in arises ...
... French tragedians , on the contrary , attend not to the nature of the man , whom they represent , but to the ... French critic , that the great pleasure of a French audience arises from a reflection on the difficulty of rhyming in arises ...
Pagina 30
... French manners , as a French dress ? A little reflection would shew it is more so : for there are relations between sentiments and manners , and none between sentiments and dress . It is strange that painters , who are to give the mute ...
... French manners , as a French dress ? A little reflection would shew it is more so : for there are relations between sentiments and manners , and none between sentiments and dress . It is strange that painters , who are to give the mute ...
Inhoudsopgave
Upon the Death of Julius Cæsar | 223 |
Dialogue I | 267 |
Dialogue II | 276 |
Copyright | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation interest judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLEBEIAN PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedians tragedy translation virtue Voltaire vulgar witches words writers