Studies in Philology, Volume 58University of North Carolina Press, 1961 |
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Pagina 153
... scene opens , we find Cato's son Portius , fearing his father's intentions , attempting to remove Cato's sword . He ... scene the centre of interest shifts from Pompey to Cato , who has been absent from the stage since II , iv ...
... scene opens , we find Cato's son Portius , fearing his father's intentions , attempting to remove Cato's sword . He ... scene the centre of interest shifts from Pompey to Cato , who has been absent from the stage since II , iv ...
Pagina 154
... scene is given over to Cato's philosophical defense of suicide and his argument for immortality . These are repeated in V. ii with much greater dramatic cogency , standing there in more intimate relation to dramatic situation and ...
... scene is given over to Cato's philosophical defense of suicide and his argument for immortality . These are repeated in V. ii with much greater dramatic cogency , standing there in more intimate relation to dramatic situation and ...
Pagina 189
... scenes is thus representative of the parallel which the dramatist begins to bring forward to coordinate back and fore actions . Scene iii of Act II ( 1278-1450 ) is a prolonged love duet in which the action pauses for a moment , as it ...
... scenes is thus representative of the parallel which the dramatist begins to bring forward to coordinate back and fore actions . Scene iii of Act II ( 1278-1450 ) is a prolonged love duet in which the action pauses for a moment , as it ...
Inhoudsopgave
RECKFORD KENNETH J PAGE | 1 |
OCTOBER 1961 NUMBER | 4 |
GRANT W LEONARD | 25 |
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