The Hieroglyphic King: Wisdom and Idolatory in the Seventeenth-century Masque |
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Pagina 12
In examining the history of the masque , therefore , the reader has to balance opposing Renaissance attitudes to spectacle . In fact , throughout the course of this study , we shall see that the masque reflected certain tensions between ...
In examining the history of the masque , therefore , the reader has to balance opposing Renaissance attitudes to spectacle . In fact , throughout the course of this study , we shall see that the masque reflected certain tensions between ...
Pagina 28
This curious mixture of spectacle , politics , and meditation is one of the most absorbing features of the masque . A direct parallel to the genre may be found in the last three cantos of the Paradiso , if one can imagine Dante's mystic ...
This curious mixture of spectacle , politics , and meditation is one of the most absorbing features of the masque . A direct parallel to the genre may be found in the last three cantos of the Paradiso , if one can imagine Dante's mystic ...
Pagina 37
were " tame poets " who took their " orders " from Jones , or that the secondary masques were filled with " blatant flattery " and a " sometimes vulgar display of the spectacle , " we can still hear reverberations of the great Puritan ...
were " tame poets " who took their " orders " from Jones , or that the secondary masques were filled with " blatant flattery " and a " sometimes vulgar display of the spectacle , " we can still hear reverberations of the great Puritan ...
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Inhoudsopgave
List of Illustrations | 8 |
Acknowledgments | 17 |
A The Allegorical Theater of the Masque | 27 |
Copyright | |
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Overige edities - Alles bekijken
The Hieroglyphic King: Wisdom and Idolatory in the Seventeenth-century Masque Stephen Kogan Fragmentweergave - 1986 |
Veelvoorkomende woorden en zinsdelen
According action allegory antimasque appears audience beauty becomes beginning body Book Bruno's calls Campion Carew Caroline celebration Charles Circe Coelum Comus contrast court create critics dance Daniel describes divine doctrine earth Elizabethan emblem England entire eternal example expressed eyes fact figure genre gives goddesses grace hand harmony heaven heavenly idea ideal important Inigo Jones interesting Jacobean James John Jones Jonson king king's Lady language later light look masque masquers meaning Milton mind monarchy moral move nature Night notes opening Orgel peace perfect Platonic Pleasure poem poet poetry political present Prince queen reference reflects Renaissance represents Restored revelation royal says scene seems sense setting song soul spectacle spirit stage stars Strong symbol theme things tion Townshend traditional triumph true truth turn understanding universe values vice virtue Vision wisdom