The Hieroglyphic King: Wisdom and Idolatory in the Seventeenth-century Masque |
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Pagina 70
I would like to begin with a passage from the fourth song of the work , which Orgel describes in The Jonsonian Masque as a piece of “ blatant flattery ” but which indirectly leads us into the three sides of Campion's career : The God of ...
I would like to begin with a passage from the fourth song of the work , which Orgel describes in The Jonsonian Masque as a piece of “ blatant flattery ” but which indirectly leads us into the three sides of Campion's career : The God of ...
Pagina 222
Following this song , the king is invited to appear : Then the further part of the scene disappeared , and the King's majesty and the rest of the masquers were discovered sitting in the Throne of Honour , his majesty highest in a seat ...
Following this song , the king is invited to appear : Then the further part of the scene disappeared , and the King's majesty and the rest of the masquers were discovered sitting in the Throne of Honour , his majesty highest in a seat ...
Pagina 233
The Bridgewater text is over one hundred lines shorter than the 1645 edition and places twenty lines from the epilogue at the beginning , which allowed Lawes to “ open the performance with a song and close it with a song , songs of his ...
The Bridgewater text is over one hundred lines shorter than the 1645 edition and places twenty lines from the epilogue at the beginning , which allowed Lawes to “ open the performance with a song and close it with a song , songs of his ...
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Inhoudsopgave
List of Illustrations | 8 |
Acknowledgments | 17 |
A The Allegorical Theater of the Masque | 27 |
Copyright | |
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Overige edities - Alles bekijken
The Hieroglyphic King: Wisdom and Idolatory in the Seventeenth-century Masque Stephen Kogan Fragmentweergave - 1986 |
Veelvoorkomende woorden en zinsdelen
According action allegory antimasque appears audience beauty becomes beginning body Book Bruno's calls Campion Carew Caroline celebration Charles Circe Coelum Comus contrast court create critics dance Daniel describes divine doctrine earth Elizabethan emblem England entire eternal example expressed eyes fact figure genre gives goddesses grace hand harmony heaven heavenly idea ideal important Inigo Jones interesting Jacobean James John Jones Jonson king king's Lady language later light look masque masquers meaning Milton mind monarchy moral move nature Night notes opening Orgel peace perfect Platonic Pleasure poem poet poetry political present Prince queen reference reflects Renaissance represents Restored revelation royal says scene seems sense setting song soul spectacle spirit stage stars Strong symbol theme things tion Townshend traditional triumph true truth turn understanding universe values vice virtue Vision wisdom