The Hieroglyphic King: Wisdom and Idolatory in the Seventeenth-century Masque |
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Pagina 12
In the case of Beaumont and Fletcher , Daniel , and Bacon , for example , we find both criticism and acceptance of royal shows , a point that scholars overlook when they use these poets as a foil to enhance their own interpretations of ...
In the case of Beaumont and Fletcher , Daniel , and Bacon , for example , we find both criticism and acceptance of royal shows , a point that scholars overlook when they use these poets as a foil to enhance their own interpretations of ...
Pagina 147
... the royal couple see the ultimate mirror of themselves , as the scene changes to a landscape , “ in which was a ... but also serves to identify the heavenly descent with the home of the royal court ; the monarchy thus becomes its ...
... the royal couple see the ultimate mirror of themselves , as the scene changes to a landscape , “ in which was a ... but also serves to identify the heavenly descent with the home of the royal court ; the monarchy thus becomes its ...
Pagina 277
89 ) Despite this trend , however , the royal universe does not undergo the type of change we find in the 1630s . The relationship between heaven and earth remains the same as in previous works . The monarch is still the symbolic link ...
89 ) Despite this trend , however , the royal universe does not undergo the type of change we find in the 1630s . The relationship between heaven and earth remains the same as in previous works . The monarch is still the symbolic link ...
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Inhoudsopgave
List of Illustrations | 8 |
Acknowledgments | 17 |
A The Allegorical Theater of the Masque | 27 |
Copyright | |
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Overige edities - Alles bekijken
The Hieroglyphic King: Wisdom and Idolatory in the Seventeenth-century Masque Stephen Kogan Fragmentweergave - 1986 |
Veelvoorkomende woorden en zinsdelen
According action allegory antimasque appears audience beauty becomes beginning body Book Bruno's calls Campion Carew Caroline celebration Charles Circe Coelum Comus contrast court create critics dance Daniel describes divine doctrine earth Elizabethan emblem England entire eternal example expressed eyes fact figure genre gives goddesses grace hand harmony heaven heavenly idea ideal important Inigo Jones interesting Jacobean James John Jones Jonson king king's Lady language later light look masque masquers meaning Milton mind monarchy moral move nature Night notes opening Orgel peace perfect Platonic Pleasure poem poet poetry political present Prince queen reference reflects Renaissance represents Restored revelation royal says scene seems sense setting song soul spectacle spirit stage stars Strong symbol theme things tion Townshend traditional triumph true truth turn understanding universe values vice virtue Vision wisdom