The Hieroglyphic King: Wisdom and Idolatory in the Seventeenth-century Masque |
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Pagina 73
2 Campion personifies this harmonic wisdom in the figures of the king and the nine “ Knights of Apollo , " but in Lord Hay's Masque and in The Lords ' Masque ( 1613 ) , he also uses the figure of Orpheus to give an added dimension to ...
2 Campion personifies this harmonic wisdom in the figures of the king and the nine “ Knights of Apollo , " but in Lord Hay's Masque and in The Lords ' Masque ( 1613 ) , he also uses the figure of Orpheus to give an added dimension to ...
Pagina 92
more masquing ” ( 33–34 ) , ' whereas Chapman's figure has two sides to him that bridge the gap between the antimasque and the revelation of the masquers . Chapman explains this double function in his “ Applicable Argument of the Masque ...
more masquing ” ( 33–34 ) , ' whereas Chapman's figure has two sides to him that bridge the gap between the antimasque and the revelation of the masquers . Chapman explains this double function in his “ Applicable Argument of the Masque ...
Pagina 196
They not only sound convincing ( in contrast to Townshend's figure of Circe , for example ) but also set the stage for ... each entry or petition is reflected in a corresponding dance , after which the figures are banished with a moral ...
They not only sound convincing ( in contrast to Townshend's figure of Circe , for example ) but also set the stage for ... each entry or petition is reflected in a corresponding dance , after which the figures are banished with a moral ...
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Inhoudsopgave
List of Illustrations | 8 |
Acknowledgments | 17 |
A The Allegorical Theater of the Masque | 27 |
Copyright | |
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Overige edities - Alles bekijken
The Hieroglyphic King: Wisdom and Idolatory in the Seventeenth-century Masque Stephen Kogan Fragmentweergave - 1986 |
Veelvoorkomende woorden en zinsdelen
According action allegory antimasque appears audience beauty becomes beginning body Book Bruno's calls Campion Carew Caroline celebration Charles Circe Coelum Comus contrast court create critics dance Daniel describes divine doctrine earth Elizabethan emblem England entire eternal example expressed eyes fact figure genre gives goddesses grace hand harmony heaven heavenly idea ideal important Inigo Jones interesting Jacobean James John Jones Jonson king king's Lady language later light look masque masquers meaning Milton mind monarchy moral move nature Night notes opening Orgel peace perfect Platonic Pleasure poem poet poetry political present Prince queen reference reflects Renaissance represents Restored revelation royal says scene seems sense setting song soul spectacle spirit stage stars Strong symbol theme things tion Townshend traditional triumph true truth turn understanding universe values vice virtue Vision wisdom