The Hieroglyphic King: Wisdom and Idolatory in the Seventeenth-century Masque |
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Pagina 12
In the case of Beaumont and Fletcher , Daniel , and Bacon , for example , we find both criticism and acceptance of ... If we add the names of Ben Jonson and John Milton to this list of critics and proponents of the form , we clearly ...
In the case of Beaumont and Fletcher , Daniel , and Bacon , for example , we find both criticism and acceptance of ... If we add the names of Ben Jonson and John Milton to this list of critics and proponents of the form , we clearly ...
Pagina 36
Given these insights into the art and politics of the Baroque , critics can no longer describe Jonson's final court productions as artistic failures , in which “ the form is clearly no longer the poet's , " since literature and stage ...
Given these insights into the art and politics of the Baroque , critics can no longer describe Jonson's final court productions as artistic failures , in which “ the form is clearly no longer the poet's , " since literature and stage ...
Pagina 52
Daniel's critics have always confused simplicity with narrow - mindedness , but Daniel purposely limits his range in order to clarify the basic terms of royal celebration . This process of distillation begins early in the introduction ...
Daniel's critics have always confused simplicity with narrow - mindedness , but Daniel purposely limits his range in order to clarify the basic terms of royal celebration . This process of distillation begins early in the introduction ...
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Inhoudsopgave
List of Illustrations | 8 |
Acknowledgments | 17 |
A The Allegorical Theater of the Masque | 27 |
Copyright | |
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Overige edities - Alles bekijken
The Hieroglyphic King: Wisdom and Idolatory in the Seventeenth-century Masque Stephen Kogan Fragmentweergave - 1986 |
Veelvoorkomende woorden en zinsdelen
According action allegory antimasque appears audience beauty becomes beginning body Book Bruno's calls Campion Carew Caroline celebration Charles Circe Coelum Comus contrast court create critics dance Daniel describes divine doctrine earth Elizabethan emblem England entire eternal example expressed eyes fact figure genre gives goddesses grace hand harmony heaven heavenly idea ideal important Inigo Jones interesting Jacobean James John Jones Jonson king king's Lady language later light look masque masquers meaning Milton mind monarchy moral move nature Night notes opening Orgel peace perfect Platonic Pleasure poem poet poetry political present Prince queen reference reflects Renaissance represents Restored revelation royal says scene seems sense setting song soul spectacle spirit stage stars Strong symbol theme things tion Townshend traditional triumph true truth turn understanding universe values vice virtue Vision wisdom