The Hieroglyphic King: Wisdom and Idolatory in the Seventeenth-century Masque |
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Pagina 12
Masques were performed at the Inns of Court , wealthy merchant companies , and private noble houses , and the church had its own history of religious festivals that fed into the civic pageantry of city governments and the aristocracy .
Masques were performed at the Inns of Court , wealthy merchant companies , and private noble houses , and the church had its own history of religious festivals that fed into the civic pageantry of city governments and the aristocracy .
Pagina 121
It was her Highnesse pleasure , Jonson writes in The Masque of Beautie , the sequel to The Masque of Blacknesse , “ againe to glorifie the Court , and command , that I should thinke on some fit presentment , which should answere the ...
It was her Highnesse pleasure , Jonson writes in The Masque of Beautie , the sequel to The Masque of Blacknesse , “ againe to glorifie the Court , and command , that I should thinke on some fit presentment , which should answere the ...
Pagina 195
wealth had almost completely broken down , the two words Court and Country having come to mean political , psychological and moral opposites . ( p . 86 ) The threat of absolute domination was fueled by this rupture , and the prospect of ...
wealth had almost completely broken down , the two words Court and Country having come to mean political , psychological and moral opposites . ( p . 86 ) The threat of absolute domination was fueled by this rupture , and the prospect of ...
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Inhoudsopgave
List of Illustrations | 8 |
Acknowledgments | 17 |
A The Allegorical Theater of the Masque | 27 |
Copyright | |
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Overige edities - Alles bekijken
The Hieroglyphic King: Wisdom and Idolatory in the Seventeenth-century Masque Stephen Kogan Fragmentweergave - 1986 |
Veelvoorkomende woorden en zinsdelen
According action allegory antimasque appears audience beauty becomes beginning body Book Bruno's calls Campion Carew Caroline celebration Charles Circe Coelum Comus contrast court create critics dance Daniel describes divine doctrine earth Elizabethan emblem England entire eternal example expressed eyes fact figure genre gives goddesses grace hand harmony heaven heavenly idea ideal important Inigo Jones interesting Jacobean James John Jones Jonson king king's Lady language later light look masque masquers meaning Milton mind monarchy moral move nature Night notes opening Orgel peace perfect Platonic Pleasure poem poet poetry political present Prince queen reference reflects Renaissance represents Restored revelation royal says scene seems sense setting song soul spectacle spirit stage stars Strong symbol theme things tion Townshend traditional triumph true truth turn understanding universe values vice virtue Vision wisdom