The Hieroglyphic King: Wisdom and Idolatory in the Seventeenth-century Masque |
Vanuit het boek
Resultaten 1-3 van 30
Pagina 152
love , she calls upon the nymphs to " feign me pleasures , since I find none true " ( 123 ) . The chorus then calls for an antimasque of her enchanted figures , and various half - beasts and " barbarians ” perform their dances to calm ...
love , she calls upon the nymphs to " feign me pleasures , since I find none true " ( 123 ) . The chorus then calls for an antimasque of her enchanted figures , and various half - beasts and " barbarians ” perform their dances to calm ...
Pagina 190
The passage represents one of the wilder hyperboles in masque literature and calls into question the nature of the entire scene , for in the process of celebrating the Platonic " flame " of the king and queen , Carew manages to create ...
The passage represents one of the wilder hyperboles in masque literature and calls into question the nature of the entire scene , for in the process of celebrating the Platonic " flame " of the king and queen , Carew manages to create ...
Pagina 203
The chorus emerges from the scene and , " descending into the room goes up to the state ” ( 1022 ) and calls upon the queen to shine her " halcyon beams ” and “ becalm the air ” ( 1029 ) . Through the “ divine / Aspects ” ( 1027-28 ) of ...
The chorus emerges from the scene and , " descending into the room goes up to the state ” ( 1022 ) and calls upon the queen to shine her " halcyon beams ” and “ becalm the air ” ( 1029 ) . Through the “ divine / Aspects ” ( 1027-28 ) of ...
Wat mensen zeggen - Een review schrijven
We hebben geen reviews gevonden op de gebruikelijke plaatsen.
Inhoudsopgave
List of Illustrations | 8 |
Acknowledgments | 17 |
A The Allegorical Theater of the Masque | 27 |
Copyright | |
14 andere gedeelten niet getoond
Overige edities - Alles bekijken
The Hieroglyphic King: Wisdom and Idolatory in the Seventeenth-century Masque Stephen Kogan Fragmentweergave - 1986 |
Veelvoorkomende woorden en zinsdelen
According action allegory antimasque appears audience beauty becomes beginning body Book Bruno's calls Campion Carew Caroline celebration Charles Circe Coelum Comus contrast court create critics dance Daniel describes divine doctrine earth Elizabethan emblem England entire eternal example expressed eyes fact figure genre gives goddesses grace hand harmony heaven heavenly idea ideal important Inigo Jones interesting Jacobean James John Jones Jonson king king's Lady language later light look masque masquers meaning Milton mind monarchy moral move nature Night notes opening Orgel peace perfect Platonic Pleasure poem poet poetry political present Prince queen reference reflects Renaissance represents Restored revelation royal says scene seems sense setting song soul spectacle spirit stage stars Strong symbol theme things tion Townshend traditional triumph true truth turn understanding universe values vice virtue Vision wisdom