Lessons in Elocution, Or, A Selection of Pieces in Prose and Verse: For the Improvement of Youth in Reading and SpeakingHill and Moore, 1820 - 384 pages |
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Page 8
... keep the body in a graceful position , and shall so vary its motions , at proper intervals , as to see the sub- ject operating on the speaker , and not the speaker on the subject . This , it will be confessed , is a great desidera- tum ...
... keep the body in a graceful position , and shall so vary its motions , at proper intervals , as to see the sub- ject operating on the speaker , and not the speaker on the subject . This , it will be confessed , is a great desidera- tum ...
Page 11
... keep his legs at as great a distance as posssible , and to incline his body so much to that side on which the arm is extended , as to oblige him to rest the opposite leg upon the toe ; and this will , in a great measure , hide the ...
... keep his legs at as great a distance as posssible , and to incline his body so much to that side on which the arm is extended , as to oblige him to rest the opposite leg upon the toe ; and this will , in a great measure , hide the ...
Page 12
... keep the arm from the body . He must neither draw the elbow backwards , nor suffer it to approach to the side ; but while the band and lower joint of the arm are curving towards the shoulder , the whole arm , with the elbow , forming ...
... keep the arm from the body . He must neither draw the elbow backwards , nor suffer it to approach to the side ; but while the band and lower joint of the arm are curving towards the shoulder , the whole arm , with the elbow , forming ...
Page 14
... keep the hand open , and the thumb at some distance from the fingers ; and particular attention must be paid , to keeping the hand in an exact line with the low- er part of the arm , so as not to bend at the wrist , either when it is ...
... keep the hand open , and the thumb at some distance from the fingers ; and particular attention must be paid , to keeping the hand in an exact line with the low- er part of the arm , so as not to bend at the wrist , either when it is ...
Page 17
... keep the back from being turned to the audience . But if this transition be performed adroitly , it will have a very good effect , in varying the position of the speakers , and giving each an opportunity of using his right hand - the ...
... keep the back from being turned to the audience . But if this transition be performed adroitly , it will have a very good effect , in varying the position of the speakers , and giving each an opportunity of using his right hand - the ...
Autres éditions - Tout afficher
Lessons in Elocution, Or, A Selection of Pieces in Prose and Verse: For the ... William Scott Affichage du livre entier - 1814 |
Lessons in Elocution, Or, A Selection of Pieces in Prose and Verse: For the ... William Scott Affichage du livre entier - 1820 |
Lessons in Elocution: Or, A Selection of Pieces, in Prose and Verse, for the ... William Scott Affichage du livre entier - 1820 |
Expressions et termes fréquents
action admire appear arms beauty bill body breast Brutus Caius Verres Carthaginians Cesar charms cheerful Chrysippus Cicero Clodius countenance creatures danger death delight Dendermond e'en earth enemy express eyes father fear fortune gesture give glory grace grief hand happiness hath head heart heaven honor hope hour human John Gilpin Jugurtha kind king Lady G live look Lord manner ment Micipsa Milo mind mouth nature never night noble Numidia o'er object pain passion Patricians person pleasure Pompey praise privy counsellor pronunciation Rhadamanthus rise Roman Rome scene sense sentence shew Sicily side sight smile soul sound speak speaker sweet taste tears thee thing thou thought tion tone Trim truth Twas uncle Toby utterance virtue voice whole words YORK PUBLIC LIBRARY young youth
Fréquemment cités
Page 366 - Romans, countrymen, and lovers ! hear me for my cause, and be silent, that you may hear : believe me for mine honour, and have respect to mine honour, that you may believe : censure me in your wisdom, and awake your senses, that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say that Brutus' love to Caesar was no less than his.
Page 350 - For I can raise no money by vile means: By heaven, I had rather coin my heart, And drop my blood for drachmas, than to wring From the hard hands of peasants their vile trash By any indirection...
Page 236 - The boast of heraldry, the pomp of power, And all that beauty, all that wealth e'er gave, Await alike the inevitable hour: The paths of glory lead but to the grave.
Page 362 - Why shrinks the soul Back on herself, and startles at destruction ? 'Tis the divinity that stirs within us; 'Tis Heaven itself that points out an hereafter, And intimates eternity to man.
Page 261 - The praise of Bacchus then the sweet musician sung : Of Bacchus ever fair and ever young : The jolly god in triumph comes ! Sound the trumpets, beat the drums ! Flush'd with a purple grace He shows his honest face : Now give the hautboys breath; he comes, he comes! Bacchus, ever fair and young, Drinking joys did first ordain ; Bacchus...
Page 359 - tis nobler in the mind, to suffer The slings and arrows of outrageous fortune ; Or to take arms against a sea of troubles, And by opposing end them ? — To die, — to sleep, — No more ; and, by a sleep, to say we end The heart-ache, and the thousand natural shocks That flesh is heir to, — 'tis a consummation Devoutly to be wish'd. To die ; — to sleep : — To sleep ! perchance to dream : — ay, there's the rub ; For in that sleep of death what dreams may come, When we have shuffled off this...
Page 249 - Air, and ye Elements, the eldest birth Of Nature's womb, that in quaternion run Perpetual circle, multiform ; and mix And nourish all things ; let your ceaseless change Vary to our Great Maker still new praise.
Page 367 - I speak not to disprove what Brutus spoke, But here I am to speak what I do know. You all did love him once, not without cause: What cause withholds you then to mourn for him? O judgment! thou art fled to brutish beasts, And men have lost their reason. Bear with me; My heart is in the coffin there with Caesar, And I must pause till it come back to me.
Page 342 - Why, well : Never so truly happy, my good Cromwell. I know myself now ; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
Page 351 - Suit the action to the word, the word to the action: with this special observance, that you o'erstep not the modesty of nature; for any thing so overdone is from the purpose of playing, whose end, both at the first, and now, was, and is, to hold, as 'twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time, his form, and pressure.