Selected Essays of William Hazlitt, 1778-1830Nonesuch Press, 1934 - 807 pagina's |
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Pagina 5
... Nature as for all our habitual attachments , namely , association of ideas . But this is not all . That which distinguishes this attachment from others is the transferable nature of our feelings with respect to physical objects ; the ...
... Nature as for all our habitual attachments , namely , association of ideas . But this is not all . That which distinguishes this attachment from others is the transferable nature of our feelings with respect to physical objects ; the ...
Pagina 68
... nature ? And shall we not allow the force of nature itself ? If the real disposition is concealed for a time and tampered with , how readily it breaks out with the first excuse or opportunity ! How soon does the drunkard forget his ...
... nature ? And shall we not allow the force of nature itself ? If the real disposition is concealed for a time and tampered with , how readily it breaks out with the first excuse or opportunity ! How soon does the drunkard forget his ...
Pagina 606
... nature , which Nature is the soul of art . imagination that reposes nothing else can supply . There is in the old poets and painters a vigour and grasp of mind , a full possession of their subject , a confidence and firm faith , a ...
... nature , which Nature is the soul of art . imagination that reposes nothing else can supply . There is in the old poets and painters a vigour and grasp of mind , a full possession of their subject , a confidence and firm faith , a ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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abstract admiration appearance beauty better Burke character Coleridge colour common conversation Correggio death delight effect English Essay expression face fancy favour favourite feeling French French Revolution friends genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jeremy Taylor Job Orton Lamb laugh learned less live look Lord Lord Byron Lord Keppel manner means mind Molière nature Nether Stowey never object opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle prose reason Rembrandt round seems sense sentiment Shakespear shew sort sound speak spirit style supposed talk taste things thought tion Titian Tom Jones truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write