Selected Essays of William Hazlitt, 1778-1830Nonesuch Press, 1934 - 807 pagina's |
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Pagina 17
... knowledge of that which is not generally known to others , and which we can only derive at second - hand from books or other artificial sources . The knowledge of that which is before us , or about us , which appeals to our experience ...
... knowledge of that which is not generally known to others , and which we can only derive at second - hand from books or other artificial sources . The knowledge of that which is before us , or about us , which appeals to our experience ...
Pagina 159
... knowledge of his own char- acteristic weaknesses ( which , guarded against , become his strength ) , as there is nothing that tends more to the success of a man's talents than his knowing the limits of his faculties , which are thus ...
... knowledge of his own char- acteristic weaknesses ( which , guarded against , become his strength ) , as there is nothing that tends more to the success of a man's talents than his knowing the limits of his faculties , which are thus ...
Pagina 448
... knowledge , in a word , then , is knowledge commun- icable by books : and it is general and liberal for this reason , that it is intelligible and interesting on the bare suggestion . That to which anyone feels a romantic attachment ...
... knowledge , in a word , then , is knowledge commun- icable by books : and it is general and liberal for this reason , that it is intelligible and interesting on the bare suggestion . That to which anyone feels a romantic attachment ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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abstract admiration appearance beauty better Burke character Coleridge colour common conversation Correggio death delight effect English Essay expression face fancy favour favourite feeling French French Revolution friends genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jeremy Taylor Job Orton Lamb laugh learned less live look Lord Lord Byron Lord Keppel manner means mind Molière nature Nether Stowey never object opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle prose reason Rembrandt round seems sense sentiment Shakespear shew sort sound speak spirit style supposed talk taste things thought tion Titian Tom Jones truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write