Selected Essays of William Hazlitt, 1778-1830Nonesuch Press, 1934 - 807 pagina's |
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Pagina xxii
... critic . He wrote on art as a painter , with all the warmth and vision of the artist , rather than from the academic standpoint of the critic . That he really was a painter , his portrait of Lamb is almost sufficient proof by itself ...
... critic . He wrote on art as a painter , with all the warmth and vision of the artist , rather than from the academic standpoint of the critic . That he really was a painter , his portrait of Lamb is almost sufficient proof by itself ...
Pagina 381
... critics . The former are a set of people who have no opinions of their own , and do not pretend to have any ; the ... critic has something to say upon every occasion , and he always tells you either what is not true , or what you knew ...
... critics . The former are a set of people who have no opinions of their own , and do not pretend to have any ; the ... critic has something to say upon every occasion , and he always tells you either what is not true , or what you knew ...
Pagina 383
... critic of this class will say on almost every subject the first time he sees you , the next time , the time after that , and so on to the end of the chapter . The following list of his opinions may be relied on : -It is pretty certain ...
... critic of this class will say on almost every subject the first time he sees you , the next time , the time after that , and so on to the end of the chapter . The following list of his opinions may be relied on : -It is pretty certain ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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abstract admiration appearance beauty better Burke character Coleridge colour common conversation Correggio death delight effect English Essay expression face fancy favour favourite feeling French French Revolution friends genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jeremy Taylor Job Orton Lamb laugh learned less live look Lord Lord Byron Lord Keppel manner means mind Molière nature Nether Stowey never object opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle prose reason Rembrandt round seems sense sentiment Shakespear shew sort sound speak spirit style supposed talk taste things thought tion Titian Tom Jones truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write