Selected Essays of William Hazlitt, 1778-1830Nonesuch Press, 1934 - 807 pagina's |
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Pagina 132
... colour of brickdust , on the contrary , is more common , and easily confounded with other colours . Raphael did not keep it quite distinct from his flesh - colour . I will not say that we have a more perfect recollection of the human ...
... colour of brickdust , on the contrary , is more common , and easily confounded with other colours . Raphael did not keep it quite distinct from his flesh - colour . I will not say that we have a more perfect recollection of the human ...
Pagina 137
... colour during a second of time ; and has no certainty of tolerably matching two simple colours , except by placing the patterns in contact . ' 991 I will conclude the subject of this Essay with observ- ing that ( as it appears to me ) a ...
... colour during a second of time ; and has no certainty of tolerably matching two simple colours , except by placing the patterns in contact . ' 991 I will conclude the subject of this Essay with observ- ing that ( as it appears to me ) a ...
Pagina 287
... colours of the rainbow . I want a common idea as a link to connect them , or to serve as a substratum for the others ... colour , surface , & c . , and rise from a common ground of abstrac- tion into all the variety of consequences and ...
... colours of the rainbow . I want a common idea as a link to connect them , or to serve as a substratum for the others ... colour , surface , & c . , and rise from a common ground of abstrac- tion into all the variety of consequences and ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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admiration answer appearance beauty become better called character circumstances common conversation critic death delight effect English equally expect expression face fancy feeling French friends genius give hand head hear heart hope human idea imagination impression instance interest keep knowledge laugh learned least leave less light live look manner matter means mind nature never object observation once opinion original ourselves pain painting pass passion perhaps person picture play pleasure poet poetry present principle question reason respect round seems seen sense side sort sound speak spirit stand style supposed talk taste things thought tion true truth turn understanding whole wish write