Selected Essays of William Hazlitt, 1778-1830Nonesuch Press, 1934 - 807 pagina's |
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Pagina 610
... Titian's is like flesh , and like nothing else . It is as different from that of other painters , as the skin is from a piece of white or red drapery thrown over it . The blood circulates here and there , the blue veins just appear ...
... Titian's is like flesh , and like nothing else . It is as different from that of other painters , as the skin is from a piece of white or red drapery thrown over it . The blood circulates here and there , the blue veins just appear ...
Pagina 628
... Titian's Mistress at her toilette . Even the colours with which the painter had adorned her hair were not more golden , more amiable to sight , than those which played round and tantalised my fancy ere I saw the picture . There were two ...
... Titian's Mistress at her toilette . Even the colours with which the painter had adorned her hair were not more golden , more amiable to sight , than those which played round and tantalised my fancy ere I saw the picture . There were two ...
Pagina 678
... Titian's palette , that his works cannot fail to have that rich , mellow look , which is always delightful . -No . 303 , Portrait of Philip the Fourth of Spain , by Velasquez , is purity and truth itself . We used to like the Sleeping ...
... Titian's palette , that his works cannot fail to have that rich , mellow look , which is always delightful . -No . 303 , Portrait of Philip the Fourth of Spain , by Velasquez , is purity and truth itself . We used to like the Sleeping ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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abstract admiration appearance beauty better Burke character Coleridge colour common conversation Correggio death delight effect English Essay expression face fancy favour favourite feeling French French Revolution friends genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jeremy Taylor Job Orton Lamb laugh learned less live look Lord Lord Byron Lord Keppel manner means mind Molière nature Nether Stowey never object opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle prose reason Rembrandt round seems sense sentiment Shakespear shew sort sound speak spirit style supposed talk taste things thought tion Titian Tom Jones truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write