Shakspere: A Critical Study of His Mind and Art, Volume 70Kegan Paul, Trench, 1883 - 434 pagina's |
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Pagina vii
... Macbeth , and the other metrical characteristics are considered , by Hertzberg , the most careful student of this class of evidence in the case of the present play , to point to a date about 1603. Other authorities place it as late as ...
... Macbeth , and the other metrical characteristics are considered , by Hertzberg , the most careful student of this class of evidence in the case of the present play , to point to a date about 1603. Other authorities place it as late as ...
Pagina x
... Macbeth ( 1606 ) . Antony and Cleopatra ( 1607 ) . Coriolanus ( 1608 ) . Timon ( 1607-08 ) . 11. ROMANCES . Pericles ( 1608 ) . Cymbeline ( 1609 ) . Tempest ( 1610 ) . Winter's Tale ( 1610-11 ) . 12. FRAGMENTS . Two Noble Kinsmen ( 1612 ) ...
... Macbeth ( 1606 ) . Antony and Cleopatra ( 1607 ) . Coriolanus ( 1608 ) . Timon ( 1607-08 ) . 11. ROMANCES . Pericles ( 1608 ) . Cymbeline ( 1609 ) . Tempest ( 1610 ) . Winter's Tale ( 1610-11 ) . 12. FRAGMENTS . Two Noble Kinsmen ( 1612 ) ...
Pagina xvii
... Macbeth 1605-61 1610 1623 Lear 1605-6 1606 1608 * Troilus & Cressida ( ? ) completed Antony and Cleopatra Coriolanus 1606 7 1609 1609 1606-7 1608 ( ? ) 1623 ( ? ) 1607-8 1623 1607-8 1623 Timon , part . FOURTH PERIOD . Pericles , part ...
... Macbeth 1605-61 1610 1623 Lear 1605-6 1606 1608 * Troilus & Cressida ( ? ) completed Antony and Cleopatra Coriolanus 1606 7 1609 1609 1606-7 1608 ( ? ) 1623 ( ? ) 1607-8 1623 1607-8 1623 Timon , part . FOURTH PERIOD . Pericles , part ...
Pagina xix
... CHAPTER V. OTHELLO : MACBETH : LEAR , 222 CHAPTER VI . THE ROMAN PLAYS , · 276 CHAPTER VII . THE HUMOUR OF SHAKSPERE , 337 CHAPTER VIII . SHAKSPERE'S LAST PLAYS , • 378 INDEX , 431 Shakspere - His Mind and Art . CHAPTER I. SHAKSPERE.
... CHAPTER V. OTHELLO : MACBETH : LEAR , 222 CHAPTER VI . THE ROMAN PLAYS , · 276 CHAPTER VII . THE HUMOUR OF SHAKSPERE , 337 CHAPTER VIII . SHAKSPERE'S LAST PLAYS , • 378 INDEX , 431 Shakspere - His Mind and Art . CHAPTER I. SHAKSPERE.
Pagina 61
... Macbeth ) , or multicentral ( as King Lear ) . In the early plays structure determines function ; in the later plays organisation is preceded by life . * The growth of Shakspere's freedom , as an artist , was really identical with his ...
... Macbeth ) , or multicentral ( as King Lear ) . In the early plays structure determines function ; in the later plays organisation is preceded by life . * The growth of Shakspere's freedom , as an artist , was really identical with his ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
accept action Antony appear artist attain beauty become believe Brutus Cæsar Cassius character comedy comes criticism death discover drama earth element Elizabethan energy English evil existence eyes fact father feeling figure force give Hamlet hand heart Henry honour human idea ideal imagination intellect interest Juliet kind King Lear less light lives look lord Macbeth manner matter means mind moral nature never night noble observe once Othello passes passion period person play poet positive possessed practical present remains Richard Romeo scene seems sense Shak Shakespeare Shakspere Shakspere's side sorrow soul spirit stand strength strong success suffering Tempest tender thee things thou thought Timon tragedy true truth turn uttered virtue weakness whole woman writings written
Populaire passages
Pagina 240 - As I am an honest man, I thought you had received some bodily wound ; there is more offence in that than in reputation. Reputation is an idle and most false imposition ; oft got without merit, and lost without deserving : you have lost no reputation at all, unless you repute yourself such a loser.
Pagina 174 - And the armies which were in heaven followed him upon white horses, clothed in fine linen, white and clean. And out of his mouth goeth a sharp sword, that with it he should smite the nations : and he shall rule them with a rod of iron : and he treadeth the winepress of the fierceness and wrath of Almighty God. And he hath on his vesture and on his thigh a name written, King of Kings, and Lord of Lords.
Pagina 411 - gainst my fury Do I take part. The rarer action is In virtue, than in vengeance : they being penitent, The sole drift of my purpose doth extend Not a frown further.
Pagina 199 - This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall, Or as a moat defensive to a house, Against the envy of less happier lands, This blessed plot, this earth, this realm, this England, This nurse, this teeming womb of royal kings, Fear'd by their breed and famous by their birth...
Pagina 77 - I have neither the scholar's melancholy, which is emulation ; nor the musician's which is fantastical ; nor the courtier's, which is proud ; nor the soldier's, which is ambitious ; nor the lawyer's, which is politic ; nor the lady's, which is nice ; nor the lover's, which is all these : but it is a melancholy of mine own, compounded of many simples, extracted from many objects, and, indeed, the sundry contemplation of my travels, in which my often rumination wraps me in a most humorous sadness.
Pagina 367 - ... the tide: for after I saw him fumble with the sheets, and play with flowers, and smile upon his fingers' ends, I knew there was but one way ; for his nose was as sharp as a pen, and a babbled of green fields.
Pagina 255 - She should have died hereafter ; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death.
Pagina 217 - I know thee not, old man: Fall to thy prayers ; How ill white hairs become a fool, and jester!
Pagina 288 - And Caesar's spirit, ranging for revenge, With Ate by his side come hot from hell, Shall in these confines with a monarch's voice Cry 'Havoc!' and let slip the dogs of war; That this foul deed shall smell above the earth With carrion men, groaning for burial.
Pagina 345 - I saw young Harry,— with his beaver on, His cuisses on his thighs, gallantly arm'd, — Rise from the ground like feather'd Mercury, And vaulted with such ease into his seat, As if an angel dropp'd down from the clouds, To turn and wind a fiery Pegasus, And witch the world with noble horsemanship.