Shakespeare and Race: Postcolonial Praxis in the Early Modern PeriodUniversity Press of America, 2000 - 298 pagina's Shakespeare and Race is a provocative new study that reveals a connection between the subject of race in Shakespeare and the advent of early English colonialism. Citing generally neglected archival evidence, Imtiaz Habib argues that a small population of captured Indians and Africans brought to England during the 16th century provided the impetus for Elizabethan constructions of race rather than existing European traditions in which blackness was represented metaphorically. He explores Tudor and Stuart dramatic representations of black characters, focusing specifically on how race affected Shakespeare personally and historically over the course of his career. Using postcolonial paradigms combined with neo-Marxist, feminist, and psychoanalytic insights, Habib discusses the possible existence of a black woman that Shakespeare knew and wrote about in his Sonnets and examines the design of his black male characters, including Aaron, Othello, and Caliban. Shakespeare and Race represents a significant contribution that will fascinate scholars of literature as well as those interested in the cultural impact of colonialism. |
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Pagina 94
... play's staging , as Henry Peacham's drawing of his memory of the play's performance clearly shows . In addition , the character of Aaron in Shakespeare's play is markedly different from his considerably tamer personality in the ...
... play's staging , as Henry Peacham's drawing of his memory of the play's performance clearly shows . In addition , the character of Aaron in Shakespeare's play is markedly different from his considerably tamer personality in the ...
Pagina 112
... play's opening act ( 1.1.434-495 ) . Appropriating again Jeanne Addison Roberts's study of cultural semiotics in Shakespeare , she is imperial patriarchy's feminine Wild , the Nature that threatens Culture ( 36-37 ) , located in her ...
... play's opening act ( 1.1.434-495 ) . Appropriating again Jeanne Addison Roberts's study of cultural semiotics in Shakespeare , she is imperial patriarchy's feminine Wild , the Nature that threatens Culture ( 36-37 ) , located in her ...
Pagina 209
... play's colonialism . From a postcolonial perspective the traditional critical contention about the relative priority of either 1611 or 1613 as the more significant of the two dates of the play's original performance ( Bevington A1 ) ...
... play's colonialism . From a postcolonial perspective the traditional critical contention about the relative priority of either 1611 or 1613 as the more significant of the two dates of the play's original performance ( Bevington A1 ) ...
Inhoudsopgave
Homosocial Eugenics and Black Desire | 23 |
T S Eliot Othellos | 121 |
Cleopatra and the Sexualization of Race | 157 |
Copyright | |
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Shakespeare and Race: Postcolonial Praxis in the Early Modern Period Imtiaz H. Habib Fragmentweergave - 2000 |
Veelvoorkomende woorden en zinsdelen
Aaron African agenda alien Antony and Cleopatra Antony's black subject black woman black woman's consciousness blackness's Caliban cited colonial colonialism's colonized black colonizer's color construction contemporary crouching described desire discursive subject earlier early modern England early modern English Egyptian Eliot's Elizabethan English colonial essay ethnic European gender historical homosocial identity imperial incarceration Indian inscription instance instinct Kim Hall language latter Liebler literary London Loomba male material memory metropolis mimetic narrative native native's Old Dominion University Othello Othello subject patriarchal Peter Fryer play play's poem's poems poet poet-lover poet-lover's poet's poetic subject pointed political postcolonial postcolonial critical postmodern presence Prospero's queen race racial representation resistance rhetorical Roman Rome semiotic seventeenth century sexual Shakespeare Shakespeare's Sonnets social sonnet 21 Sonnets speech struggle subaltern subjugation Tamora Tempest text's textual thee thematic Things of Darkness thou Titus Andronicus tragedy Tudor unknowability unpredictability Venice visible Walvin writing young