Shakespeare and Race: Postcolonial Praxis in the Early Modern PeriodUniversity Press of America, 2000 - 298 pagina's Shakespeare and Race is a provocative new study that reveals a connection between the subject of race in Shakespeare and the advent of early English colonialism. Citing generally neglected archival evidence, Imtiaz Habib argues that a small population of captured Indians and Africans brought to England during the 16th century provided the impetus for Elizabethan constructions of race rather than existing European traditions in which blackness was represented metaphorically. He explores Tudor and Stuart dramatic representations of black characters, focusing specifically on how race affected Shakespeare personally and historically over the course of his career. Using postcolonial paradigms combined with neo-Marxist, feminist, and psychoanalytic insights, Habib discusses the possible existence of a black woman that Shakespeare knew and wrote about in his Sonnets and examines the design of his black male characters, including Aaron, Othello, and Caliban. Shakespeare and Race represents a significant contribution that will fascinate scholars of literature as well as those interested in the cultural impact of colonialism. |
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Pagina 124
... Eliot's best - known critical pronouncements and a key piece in the permanent re - evaluation of Othello in mid - century Shakespeare studies . ' Indeed , the play's uneasy and mixed critical reputation in current estimates , and which ...
... Eliot's best - known critical pronouncements and a key piece in the permanent re - evaluation of Othello in mid - century Shakespeare studies . ' Indeed , the play's uneasy and mixed critical reputation in current estimates , and which ...
Pagina 125
... Eliot's self construction as modernity's voice . Eliot's judgment that the Elizabethans are consistently irresolute , greedy , lacking in order , and his exemplification of this , that their dramatic personifications ( Hamlet or Antony ...
... Eliot's self construction as modernity's voice . Eliot's judgment that the Elizabethans are consistently irresolute , greedy , lacking in order , and his exemplification of this , that their dramatic personifications ( Hamlet or Antony ...
Pagina 151
... Eliot he echoes him almost verbatim in referring to Othello's egocentric romanticism and self- regard ( 10-12 ) ; and , written around the same time as Eliot's , F.R. Leavis's essay , " Diabolic Intellect and the Noble Hero : A Note on ...
... Eliot he echoes him almost verbatim in referring to Othello's egocentric romanticism and self- regard ( 10-12 ) ; and , written around the same time as Eliot's , F.R. Leavis's essay , " Diabolic Intellect and the Noble Hero : A Note on ...
Inhoudsopgave
Homosocial Eugenics and Black Desire | 23 |
T S Eliot Othellos | 121 |
Cleopatra and the Sexualization of Race | 157 |
Copyright | |
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Shakespeare and Race: Postcolonial Praxis in the Early Modern Period Imtiaz H. Habib Fragmentweergave - 2000 |
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Aaron African agenda alien Antony and Cleopatra Antony's black subject black woman black woman's consciousness blackness's Caliban cited colonial colonialism's colonized black colonizer's color construction contemporary crouching described desire discursive subject earlier early modern England early modern English Egyptian Eliot's Elizabethan English colonial essay ethnic European gender historical homosocial identity imperial incarceration Indian inscription instance instinct Kim Hall language latter Liebler literary London Loomba male material memory metropolis mimetic narrative native native's Old Dominion University Othello Othello subject patriarchal Peter Fryer play play's poem's poems poet poet-lover poet-lover's poet's poetic subject pointed political postcolonial postcolonial critical postmodern presence Prospero's queen race racial representation resistance rhetorical Roman Rome semiotic seventeenth century sexual Shakespeare Shakespeare's Sonnets social sonnet 21 Sonnets speech struggle subaltern subjugation Tamora Tempest text's textual thee thematic Things of Darkness thou Titus Andronicus tragedy Tudor unknowability unpredictability Venice visible Walvin writing young