An Essay on the Writings and Genius of Shakspeare: Compared with the Greek and French Dramatic Poets; with Some Remarks Upon the Misrepresentations of Mons. de VoltaireAMS Press, 1966 - 296 pagina's |
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Pagina xx
... turn , argument ; so that many of our country- men have hastily adopted this lively writer's opinion of the extravagance , and total want of design in Shakspeare's dramas . With the more learned , deep , and sober critics , however , he ...
... turn , argument ; so that many of our country- men have hastily adopted this lively writer's opinion of the extravagance , and total want of design in Shakspeare's dramas . With the more learned , deep , and sober critics , however , he ...
Pagina 194
... turns his face ; But when he once attains the upmost round , He then unto the ladder turns his back , Looks in the clouds , scorning the base degrees By which he did ascend . So Cæsar may . Thus Mr. Voltaire translates it : BRUTUS ...
... turns his face ; But when he once attains the upmost round , He then unto the ladder turns his back , Looks in the clouds , scorning the base degrees By which he did ascend . So Cæsar may . Thus Mr. Voltaire translates it : BRUTUS ...
Pagina 235
... turns his face : But when he once attains the upmost round , He then unto the ladder turns his back , Looks in the clouds , scorning the base degrees By which he did ascend . So Cæsar may ; Then lest he may , prevent . But ' tis a ...
... turns his face : But when he once attains the upmost round , He then unto the ladder turns his back , Looks in the clouds , scorning the base degrees By which he did ascend . So Cæsar may ; Then lest he may , prevent . But ' tis a ...
Inhoudsopgave
On Dramatic Poetry P | 3 |
On the Historical Drama P | 33 |
The First Part of Henry IV P | 69 |
Copyright | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedy tragedy of Macbeth translation virtue Voltaire vulgar witches words writers