An Essay on the Writings and Genius of Shakspeare: Compared with the Greek and French Dramatic Poets; with Some Remarks Upon the Misrepresentations of Mons. de VoltaireAMS Press, 1966 - 296 pagina's |
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Pagina 135
... secret , foul , and midnight hags , What is't ye do ? is answered , A deed without a name . The witches of the forest are as im- portant in the tragedy of Macbeth , as the Eumenides in the drama of Æschylus ; but our Poet is infinitely ...
... secret , foul , and midnight hags , What is't ye do ? is answered , A deed without a name . The witches of the forest are as im- portant in the tragedy of Macbeth , as the Eumenides in the drama of Æschylus ; but our Poet is infinitely ...
Pagina 175
... secret'st man of blood . The perturbation , with which Macbeth again resorts to the Witches , and the tone of resentment and abhorrence with which he addresses them , rather expresses his sense of the crimes , to which their promises ...
... secret'st man of blood . The perturbation , with which Macbeth again resorts to the Witches , and the tone of resentment and abhorrence with which he addresses them , rather expresses his sense of the crimes , to which their promises ...
Pagina 287
... secret history , in which there is no secret and no history , cannot tempt indiscretion to blab or vanity to quote ; and by this means modern conversation flows gentle and easy , unincumbered with matter and unburthen- ed of instruction ...
... secret history , in which there is no secret and no history , cannot tempt indiscretion to blab or vanity to quote ; and by this means modern conversation flows gentle and easy , unincumbered with matter and unburthen- ed of instruction ...
Inhoudsopgave
On Dramatic Poetry P | 3 |
On the Historical Drama P | 33 |
The First Part of Henry IV P | 69 |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedy tragedy of Macbeth translation virtue Voltaire vulgar witches words writers