An Essay on the Writings and Genius of Shakspeare: Compared with the Greek and French Dramatic Poets; with Some Remarks Upon the Misrepresentations of Mons. de VoltaireAMS Press, 1966 - 296 pagina's |
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Pagina 85
... piece ; for his reformation is not effected in the last scene of the last act , as is usual in our comedies , but is prepared from the very beginning of the play . The scene be- tween the Prince and Francis , is low and ridiculous , and ...
... piece ; for his reformation is not effected in the last scene of the last act , as is usual in our comedies , but is prepared from the very beginning of the play . The scene be- tween the Prince and Francis , is low and ridiculous , and ...
Pagina 178
... piece , what they have a right to be , predominant in the events . They should not interfere , but to weave the fatal web , or to unravel it ; they ought ever to be the regents of the table and artificers of the catastrophe , as the ...
... piece , what they have a right to be , predominant in the events . They should not interfere , but to weave the fatal web , or to unravel it ; they ought ever to be the regents of the table and artificers of the catastrophe , as the ...
Pagina 232
... piece ; they break in upon the harmony of sentiment , and the proportion of characters , and fall greatly short of the easy propriety , and be- coming grace , of a perfect set of imitations designed for and fitted to the work , as in ...
... piece ; they break in upon the harmony of sentiment , and the proportion of characters , and fall greatly short of the easy propriety , and be- coming grace , of a perfect set of imitations designed for and fitted to the work , as in ...
Inhoudsopgave
On Dramatic Poetry P | 3 |
On the Historical Drama P | 33 |
The First Part of Henry IV P | 69 |
Copyright | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedy tragedy of Macbeth translation virtue Voltaire vulgar witches words writers