An Essay on the Writings and Genius of Shakspeare: Compared with the Greek and French Dramatic Poets; with Some Remarks Upon the Misrepresentations of Mons. de VoltaireAMS Press, 1966 - 296 pagina's |
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Pagina 8
... imagination , through which it opens to itself a communication with the heart , where it is to excite certain passions and affections ; each character being per- sonated , and each event exhibited , the at- tention of the audience is ...
... imagination , through which it opens to itself a communication with the heart , where it is to excite certain passions and affections ; each character being per- sonated , and each event exhibited , the at- tention of the audience is ...
Pagina 121
... it- " self , or something very nearly approach- 66 ing to it . " It should indeed be what our * Hurd , on Dramatic Imitation . imagination imagination will adopt though our reason would reject it . ON THE PRÆTERNATURAL BEINGS . 121.
... it- " self , or something very nearly approach- 66 ing to it . " It should indeed be what our * Hurd , on Dramatic Imitation . imagination imagination will adopt though our reason would reject it . ON THE PRÆTERNATURAL BEINGS . 121.
Pagina 129
... imagination , they discover them to have been mere sha- dows , formed by ignorance . The thunder- bolts of Jove , forged in Cimmerian caves ; the cestus of Venus , woven by the hands of the attracting Graces , cease to terrify and ...
... imagination , they discover them to have been mere sha- dows , formed by ignorance . The thunder- bolts of Jove , forged in Cimmerian caves ; the cestus of Venus , woven by the hands of the attracting Graces , cease to terrify and ...
Inhoudsopgave
On Dramatic Poetry P | 3 |
On the Historical Drama P | 33 |
The First Part of Henry IV P | 69 |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedy tragedy of Macbeth translation virtue Voltaire vulgar witches words writers