An Essay on the Writings and Genius of Shakspeare: Compared with the Greek and French Dramatic Poets; with Some Remarks Upon the Misrepresentations of Mons. de VoltaireAMS Press, 1966 - 296 pagina's |
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Pagina x
... grace of motion , and exertion of strength , depend on the mind , which ani- mates the form . The critic but fashions the body of a work ; the poet must add the soul , which gives force and direction to its actions and gestures : when ...
... grace of motion , and exertion of strength , depend on the mind , which ani- mates the form . The critic but fashions the body of a work ; the poet must add the soul , which gives force and direction to its actions and gestures : when ...
Pagina 102
... grace , Into the harsh and boist'rous tongue of war ? LANCASTER . My lord of York , it better shew'd with you , When ... grace , the sanctities of Heav'n , And our dull workings : Q , who shall believe But you misuse the rev'rence of ...
... grace , Into the harsh and boist'rous tongue of war ? LANCASTER . My lord of York , it better shew'd with you , When ... grace , the sanctities of Heav'n , And our dull workings : Q , who shall believe But you misuse the rev'rence of ...
Pagina 106
... fend the Greek taste : and Boileau not injudiciously prefers this simple exposition , destitute as it is of any grace , to the per- plexed plexed and tedious declamation of the mo- dern stage . 106 THE SECOND PART OF HENRY IV .
... fend the Greek taste : and Boileau not injudiciously prefers this simple exposition , destitute as it is of any grace , to the per- plexed plexed and tedious declamation of the mo- dern stage . 106 THE SECOND PART OF HENRY IV .
Inhoudsopgave
On Dramatic Poetry P | 3 |
On the Historical Drama P | 33 |
The First Part of Henry IV P | 69 |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedy tragedy of Macbeth translation virtue Voltaire vulgar witches words writers