An Essay on the Writings and Genius of Shakspeare: Compared with the Greek and French Dramatic Poets; with Some Remarks Upon the Misrepresentations of Mons. de VoltaireAMS Press, 1966 - 296 pagina's |
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Pagina x
... force and direction to its actions and gestures : when one of these critics has at- tempted to finish a work by his own rules , he has rarely been able to convey into it one spark of divine fire ; and the hero of his piece , whom he ...
... force and direction to its actions and gestures : when one of these critics has at- tempted to finish a work by his own rules , he has rarely been able to convey into it one spark of divine fire ; and the hero of his piece , whom he ...
Pagina 4
... force and efficacy of the dra- matic manner , that he often drops the nar- rative , to assume it ; and Aristotle says , that for having invented the dramatic imita- tion , and not on account of his other excel- lencies only , he alone ...
... force and efficacy of the dra- matic manner , that he often drops the nar- rative , to assume it ; and Aristotle says , that for having invented the dramatic imita- tion , and not on account of his other excel- lencies only , he alone ...
Pagina 138
... Force , which are , ap- parently , of the poet's fiction . Père Bru- moy intimates a suspicion that this tragedy is an allegory , but imagines it alludes to Xerxes or Darius , because it abounds with reflections on tyranny . To flatter ...
... Force , which are , ap- parently , of the poet's fiction . Père Bru- moy intimates a suspicion that this tragedy is an allegory , but imagines it alludes to Xerxes or Darius , because it abounds with reflections on tyranny . To flatter ...
Inhoudsopgave
On Dramatic Poetry P | 3 |
On the Historical Drama P | 33 |
The First Part of Henry IV P | 69 |
Copyright | |
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absurd action admired Æschylus affected allegory ambition ancient ANTONY appears Aristotle Atossa Augustus battle of Shrewsbury blank-verse blood Brutus Cassius character CHARON Cinna conspiracy conspirators Corneille critic crown dæmons danger danger death dialogue drama ELPINICE Emilia Euripides Eurystheus excite fable Falstaffe fear French friends genius ghost give glory grace Grecian Greek hath heart heav'n Henry Hercules heroes honour human imagination imitation judgment Julius Cæsar kind king lady learned lover Macbeth manners means ment mind moral murder muse nature Nervii never noble passions perfect person piece play PLUTARCH poet poetry Prince racters rendered representation ridicule Roman Rome says scene secret sentiments Shak Shakspeare Shakspeare's shew sion soliloquy Sophocles soul speak spectator speech spirit stage sublime superstition Tacitus taste tell temper terror thee Theseus thing thou tion tragedy tragedy of Macbeth translation virtue Voltaire vulgar witches words writers