Characters of Shakespear's PlaysJ.M. Dent & Company, 1912 - 275 pagina's |
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Pagina xv
... feeling steals into our souls ; of all the imper- ceptible advantages which it there gains ; of all the strata- gems by which every other passion is made subservient to it , till it becomes the sole tyrant of our desires and our ...
... feeling steals into our souls ; of all the imper- ceptible advantages which it there gains ; of all the strata- gems by which every other passion is made subservient to it , till it becomes the sole tyrant of our desires and our ...
Pagina xvi
... feelings by the open display of the most disgusting moral odiousness , harrows up the mind unmercifully , and tortures even our senses by the exhibition of the most insupportable and hate- ful spectacles , is one of much greater ...
... feelings by the open display of the most disgusting moral odiousness , harrows up the mind unmercifully , and tortures even our senses by the exhibition of the most insupportable and hate- ful spectacles , is one of much greater ...
Pagina xix
... feeling . He re- tained the regular , habitual impressions of actual objects , but he could not follow the rapid flights of fancy , or the strong movements of passion . That is , he was to the poet what the painter of still life is to ...
... feeling . He re- tained the regular , habitual impressions of actual objects , but he could not follow the rapid flights of fancy , or the strong movements of passion . That is , he was to the poet what the painter of still life is to ...
Pagina xx
... feels , that each character is a species , instead of being an individual . He in fact found the general species or ... feelings of pleasure or power in the mind , and moulding the impressions of natural objects according to the impulses ...
... feels , that each character is a species , instead of being an individual . He in fact found the general species or ... feelings of pleasure or power in the mind , and moulding the impressions of natural objects according to the impulses ...
Pagina xxi
... feeling of the beauty of the passages here referred to . A stately common - place , such as Congreve's descrip- tion of a ruin in the Mourning Bride , would have answered Johnson's purpose just as well , or better than the first ; and ...
... feeling of the beauty of the passages here referred to . A stately common - place , such as Congreve's descrip- tion of a ruin in the Mourning Bride , would have answered Johnson's purpose just as well , or better than the first ; and ...
Overige edities - Alles bekijken
Characters of Shakespear's Plays, & Lectures on the English Poets William Hazlitt Volledige weergave - 1903 |
Veelvoorkomende woorden en zinsdelen
acter admirable affections answer Antony Apemantus appear banished Banquo beauty blood Bolingbroke breath Brutus Cæsar Caliban Cassius char character circumstances Claudio comedy comic Cordelia Coriolanus critic CYMBELINE daughter death Desdemona Dost thou doth dramatic eyes Falstaff father fear feeling fool fortune friends genius give Gonerill grace grave Hamlet hath hear heart heaven Henry honour Hubert human humour Iago imagination Juliet JULIUS CÆSAR king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity pleasure poet poetry Prince Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shakespear shew Sir Toby sleep soul speak speech spirit story striking sweet tender thee things thou art thought Titus Andronicus tongue tragedy true truth unto W. E. Henley wife words youth