Characters of Shakespear's PlaysJ.M. Dent & Company, 1912 - 275 pagina's |
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Pagina 4
... fear , has forgot Britain . " Her readiness to pardon Iachimo's false imputations and his designs against herself , is a good lesson to prudes ; and may shew that where there is a real attachment to virtue , it has no need to bolster ...
... fear , has forgot Britain . " Her readiness to pardon Iachimo's false imputations and his designs against herself , is a good lesson to prudes ; and may shew that where there is a real attachment to virtue , it has no need to bolster ...
Pagina 5
... Fear and niceness , The handmaids of all women , or more truly , Woman its pretty self , into a waggish courage , Ready in gibes , quick - answer'd , saucy , and As quarrellous as the weazel " - she interrupts him hastily- " Nay , be ...
... Fear and niceness , The handmaids of all women , or more truly , Woman its pretty self , into a waggish courage , Ready in gibes , quick - answer'd , saucy , and As quarrellous as the weazel " - she interrupts him hastily- " Nay , be ...
Pagina 6
... fears may have been eclipsed by some painted Jay of Italy ; she relies on her merit , and her merit is in the depth of her love , her truth and constancy . Our admiration of her beauty is excited with as little consciousness as possible ...
... fears may have been eclipsed by some painted Jay of Italy ; she relies on her merit , and her merit is in the depth of her love , her truth and constancy . Our admiration of her beauty is excited with as little consciousness as possible ...
Pagina 14
... fear more than we hate . She does not excite our loathing and ab- horrence like Regan and Gonerill . She is only wicked to gain a great end ; and is perhaps more distinguished by her commanding presence of mind and inexorable self ...
... fear more than we hate . She does not excite our loathing and ab- horrence like Regan and Gonerill . She is only wicked to gain a great end ; and is perhaps more distinguished by her commanding presence of mind and inexorable self ...
Pagina 22
... fear ; and stands in doubt between the world of reality and the world of fancy . He sees sights not shown to mortal eye , and hears unearthly music . All is tumult and dis- order within and without his mind ; his purposes recoil upon ...
... fear ; and stands in doubt between the world of reality and the world of fancy . He sees sights not shown to mortal eye , and hears unearthly music . All is tumult and dis- order within and without his mind ; his purposes recoil upon ...
Overige edities - Alles bekijken
Characters of Shakespear's Plays, & Lectures on the English Poets William Hazlitt Volledige weergave - 1903 |
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acter admirable affections answer Antony Apemantus appear banished Banquo beauty blood Bolingbroke breath Brutus Cæsar Caliban Cassius char character circumstances Claudio comedy comic Cordelia Coriolanus critic CYMBELINE daughter death Desdemona Dost thou doth dramatic eyes Falstaff father fear feeling fool fortune friends genius give Gonerill grace grave Hamlet hath hear heart heaven Henry honour Hubert human humour Iago imagination Juliet JULIUS CÆSAR king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity pleasure poet poetry Prince Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shakespear shew Sir Toby sleep soul speak speech spirit story striking sweet tender thee things thou art thought Titus Andronicus tongue tragedy true truth unto W. E. Henley wife words youth