Studies in Philology, Volume 4University of North Carolina Press, 1963 |
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Pagina 11
... written in our flesh we shall remember . An- tony and C. 2 , 5 , 117 . as they are , Though in Rome littered . Coriolanus . 3 , 1 , 238 . Not sure , though hoping , of this good success , I asked his blessing . King Lear . 5 , 3 , 194 ...
... written in our flesh we shall remember . An- tony and C. 2 , 5 , 117 . as they are , Though in Rome littered . Coriolanus . 3 , 1 , 238 . Not sure , though hoping , of this good success , I asked his blessing . King Lear . 5 , 3 , 194 ...
Pagina 60
... written . Since the liter- ature of this age was the expression of the life of the people , some attention must be given to forces which were of conse- quence in the development of the monologue , the characteris- tic form of this age ...
... written . Since the liter- ature of this age was the expression of the life of the people , some attention must be given to forces which were of conse- quence in the development of the monologue , the characteris- tic form of this age ...
Pagina 80
... written in dialect , and these consti- tute some of his best poems . Reference may be made to some of these poems , which are typical of his use of the dramatic monologue . In Dow's Flat , Bret Harte gives expression to an experience ...
... written in dialect , and these consti- tute some of his best poems . Reference may be made to some of these poems , which are typical of his use of the dramatic monologue . In Dow's Flat , Bret Harte gives expression to an experience ...
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action Antony artistic assumed attention attitude become beginning Browning Browning's century character characteristic clear clearly combined conjunction conscious Consequently considered constituent construction contribution daughter death demands direct directly distinct dramatic mono dramatic monologue dramatic occasion effect elements Elizabethan emotions employed English essential example experience explanation expression feelings final gerund give greatest hand hearer Henry illustrate importance individual influence intensity interest Italy John literary Literature logue London Lost Love's lover lyric merely method MICHIGAN mind natural never object occasion origin participle pass perfect period person poem poet poetry portrayed present productions question received relation result reveals says seems seen selected Shakespeare short similar situation sonnet speak speaker spirit stage story style subordinate clause Tennyson thee thou thoughts tion treatment true unconscious UNIVERSITY Vere Victorian wife writer York