Studies in Philology, Volume 4University of North Carolina Press, 1963 |
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Pagina 40
... influenced more or less by the personality of the hearer . The soliloquy , then , differs from the monologue in that it does not imply an audience . III ORIGIN OF THE Dramatic Monologue and its Develop- MENT 181 40 Claud Howard.
... influenced more or less by the personality of the hearer . The soliloquy , then , differs from the monologue in that it does not imply an audience . III ORIGIN OF THE Dramatic Monologue and its Develop- MENT 181 40 Claud Howard.
Pagina 49
... ment of the monologue . In the face of these facts , there is no doubt that French poetry exercised considerable in- fluence over the dramatic monologue in its process of develop- ment . At any rate , forms are found in the French ...
... ment of the monologue . In the face of these facts , there is no doubt that French poetry exercised considerable in- fluence over the dramatic monologue in its process of develop- ment . At any rate , forms are found in the French ...
Pagina 50
... ment.2 28 From this period in which the dramatic monologue has received its final , though undeveloped , form , we may pass to the following period and trace the monologue's fortune until it emerges completely developed in the Victorian ...
... ment.2 28 From this period in which the dramatic monologue has received its final , though undeveloped , form , we may pass to the following period and trace the monologue's fortune until it emerges completely developed in the Victorian ...
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Alphonso Smith Andrea del Sarto Antony Arnold Smith art of construction artistic attitude Bret Browning Browning's century character portrayal characteristic Clara Vere cobbler conjunction conscious art considered contribution dialect dramatic mono dramatic monologue form dramatic occasion dramatic spirit Edmund Gosse Einenkel elements ellipsis English Literature English Lyric Poetry epic essential example expression form of poetry gerund give Grammatik greatest Henry VIII idiom illustrate individual influence interest Jephtha's Daughter Last Duchess literary logue London love lyric Love's Labor's Lost lover Lucrece Main Tendencies Mätzner ment method natural Othello participle group Patriot period person poem poet present relation reveals Richard II says selected Shakespeare short story sion sonnet speak speaker and hearer stage struction style subordinate clause Tendencies of Victorian Tennyson thee thou thoughts and emotions three constituent tion Troilus Twelfth Night type of poetry University of North Vere de Vere Victorian age Victorian Poetry wife Winter's Tale words writer