Studies in Philology, Volume 4University of North Carolina Press, 1963 |
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Pagina 28
... gerund as a participle after prepɔsi- tions and conjunctions , as before , after , till , etc. But it is as reasonable to call them participles as gerunds and hence con- junctions as well as prepositions . The preposition necessarily ...
... gerund as a participle after prepɔsi- tions and conjunctions , as before , after , till , etc. But it is as reasonable to call them participles as gerunds and hence con- junctions as well as prepositions . The preposition necessarily ...
Pagina 29
... gerunds . Wherein does the present active participle differ from the pas- sive ? Will the fact that it has the same form as the gerund prevent its being construed as a participle ? It is reasonable to call it the gerund ; it is just as ...
... gerunds . Wherein does the present active participle differ from the pas- sive ? Will the fact that it has the same form as the gerund prevent its being construed as a participle ? It is reasonable to call it the gerund ; it is just as ...
Pagina
... gerund as a participle after preposi . tions and conjunctions , as before , after , till , etc . But it is as reasonable to call them participles as gerunds and hence conjunctions as well as prepositions . The preposition necessarily ...
... gerund as a participle after preposi . tions and conjunctions , as before , after , till , etc . But it is as reasonable to call them participles as gerunds and hence conjunctions as well as prepositions . The preposition necessarily ...
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Alphonso Smith Andrea del Sarto Antony Arnold Smith art of construction artistic attitude Bret Browning Browning's century character portrayal characteristic Clara Vere cobbler conjunction conscious art considered contribution dialect dramatic mono dramatic monologue form dramatic occasion dramatic spirit Edmund Gosse Einenkel elements ellipsis English Literature English Lyric Poetry epic essential example expression form of poetry gerund give Grammatik greatest Henry VIII idiom illustrate individual influence interest Jephtha's Daughter Last Duchess literary logue London love lyric Love's Labor's Lost lover Lucrece Main Tendencies Mätzner ment method natural Othello participle group Patriot period person poem poet present relation reveals Richard II says selected Shakespeare short story sion sonnet speak speaker and hearer stage struction style subordinate clause Tendencies of Victorian Tennyson thee thou thoughts and emotions three constituent tion Troilus Twelfth Night type of poetry University of North Vere de Vere Victorian age Victorian Poetry wife Winter's Tale words writer