Studies in Philology, Volume 4University of North Carolina Press, 1963 |
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Pagina 51
... Feelings were so spontaneous and altruis- tic that they naturally demanded outward direction . The individuals toward whom these emotions were directed were brought into close contact with the writer . No longer were the objects of ...
... Feelings were so spontaneous and altruis- tic that they naturally demanded outward direction . The individuals toward whom these emotions were directed were brought into close contact with the writer . No longer were the objects of ...
Pagina 56
... feeling of democracy , yet the time was not ripe for the highest development of these characteristics . The poetry of ... feelings in his characteristic way . Consequently , al- though the time was becoming ripe , yet the poet had not ap ...
... feeling of democracy , yet the time was not ripe for the highest development of these characteristics . The poetry of ... feelings in his characteristic way . Consequently , al- though the time was becoming ripe , yet the poet had not ap ...
Pagina 78
... feelings essential to dramatic phrasing . Browning's style , though at times abrupt and lacking in musical qualities ... feeling , to the anapestic pentameters of Saul , expressing freedom and joy with slight reserve . Often in the same ...
... feelings essential to dramatic phrasing . Browning's style , though at times abrupt and lacking in musical qualities ... feeling , to the anapestic pentameters of Saul , expressing freedom and joy with slight reserve . Often in the same ...
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action Antony artistic assumed attention attitude become beginning Browning Browning's century character characteristic clear clearly combined conjunction conscious Consequently considered constituent construction contribution daughter death demands direct directly distinct dramatic mono dramatic monologue dramatic occasion effect elements Elizabethan emotions employed English essential example experience explanation expression feelings final gerund give greatest hand hearer Henry illustrate importance individual influence intensity interest Italy John literary Literature logue London Lost Love's lover lyric merely method MICHIGAN mind natural never object occasion origin participle pass perfect period person poem poet poetry portrayed present productions question received relation result reveals says seems seen selected Shakespeare short similar situation sonnet speak speaker spirit stage story style subordinate clause Tennyson thee thou thoughts tion treatment true unconscious UNIVERSITY Vere Victorian wife writer York