Studies in Philology, Volume 4University of North Carolina Press, 1963 |
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Pagina 42
... emotions . " As experiences received their embodiment , they slowly and unconsciously crystalized into definite forms , varying according to their special fitness for conveying the spiritual content . " Thus the extended narration of ...
... emotions . " As experiences received their embodiment , they slowly and unconsciously crystalized into definite forms , varying according to their special fitness for conveying the spiritual content . " Thus the extended narration of ...
Pagina 44
... emotions . In the lyric the emotion is of primary consideration , and this is wherein it differs from the monologue , for in it the emotion is of secondary importance . But the most significant consid- eration is that the emotional ...
... emotions . In the lyric the emotion is of primary consideration , and this is wherein it differs from the monologue , for in it the emotion is of secondary importance . But the most significant consid- eration is that the emotional ...
Pagina 58
... emotions of the lyric poet became very intense and their objective tendency was satisfied by imagining the object of these emotions to be pres- ent , then we found the completion of the first stage of devel- opment , that in which the ...
... emotions of the lyric poet became very intense and their objective tendency was satisfied by imagining the object of these emotions to be pres- ent , then we found the completion of the first stage of devel- opment , that in which the ...
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Alphonso Smith Andrea del Sarto Antony Arnold Smith art of construction artistic attitude Bret Browning Browning's century character portrayal characteristic Clara Vere cobbler conjunction conscious art considered contribution dialect dramatic mono dramatic monologue form dramatic occasion dramatic spirit Edmund Gosse Einenkel elements ellipsis English Literature English Lyric Poetry epic essential example expression form of poetry gerund give Grammatik greatest Henry VIII idiom illustrate individual influence interest Last Duchess literary logue London love lyric Love's Labor's Lost lover Lucrece Lyric Poetry Main Tendencies Mätzner ment method natural Othello participle group Patriot period person poem poet present relation reveals Richard II says selected Shakespeare short story sion sonnet speak speaker and hearer stage struction style subordinate clause Tendencies of Victorian Tennyson thee thou thoughts and emotions three constituent tion Troilus Twelfth Night type of poetry University of North Vere de Vere Victorian age Victorian Poetry wife Winter's Tale words writer