Studies in Philology, Volume 4University of North Carolina Press, 1963 |
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Pagina 42
... emotions . " As experiences received their embodiment , they slowly and unconsciously crystalized into definite forms , varying according to their special fitness for conveying the spiritual content . " Thus the extended narration of ...
... emotions . " As experiences received their embodiment , they slowly and unconsciously crystalized into definite forms , varying according to their special fitness for conveying the spiritual content . " Thus the extended narration of ...
Pagina 44
... emotions . In the lyric the emotion is of primary consideration , and this is wherein it differs from the monologue , for in it the emotion is of secondary importance . But the most significant consid- eration is that the emotional ...
... emotions . In the lyric the emotion is of primary consideration , and this is wherein it differs from the monologue , for in it the emotion is of secondary importance . But the most significant consid- eration is that the emotional ...
Pagina 58
... emotions of the lyric poet became very intense and their objective tendency was satisfied by imagining the object of these emotions to be pres- ent , then we found the completion of the first stage of devel- opment , that in which the ...
... emotions of the lyric poet became very intense and their objective tendency was satisfied by imagining the object of these emotions to be pres- ent , then we found the completion of the first stage of devel- opment , that in which the ...
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action Antony artistic assumed attention attitude become beginning Browning Browning's century character characteristic clear clearly combined conjunction conscious Consequently considered constituent construction contribution daughter death demands direct directly distinct dramatic mono dramatic monologue dramatic occasion effect elements Elizabethan emotions employed English essential example experience explanation expression feelings final gerund give greatest hand hearer Henry illustrate importance individual influence intensity interest Italy John literary Literature logue London Lost Love's lover lyric merely method MICHIGAN mind natural never object occasion origin participle pass perfect period person poem poet poetry portrayed present productions question received relation result reveals says seems seen selected Shakespeare short similar situation sonnet speak speaker spirit stage story style subordinate clause Tennyson thee thou thoughts tion treatment true unconscious UNIVERSITY Vere Victorian wife writer York