Studies in Philology, Volume 4University of North Carolina Press, 1963 |
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Pagina 36
... directly , since he is not the subject of individual caprice , but the victim of popular fickleness . The three constitutent parts are thus combined to produce the following monologue , which is quoted here , not because it is the best ...
... directly , since he is not the subject of individual caprice , but the victim of popular fickleness . The three constitutent parts are thus combined to produce the following monologue , which is quoted here , not because it is the best ...
Pagina 44
... directly and forcibly the new phases of modern culture and experience . The most essential characteristic of the dramatic mono- logue is the attitude of mind of the speaker . He not only expresses his own ideas , but inevitably permits ...
... directly and forcibly the new phases of modern culture and experience . The most essential characteristic of the dramatic mono- logue is the attitude of mind of the speaker . He not only expresses his own ideas , but inevitably permits ...
Pagina 58
... directly . Examples of this stage are found in the Elizabethan love lyrics , as , for instance , Mar- lowe's The Passionate Sheepheard to his Love . The second stage " of the unconscious period is that in which the object is not merely ...
... directly . Examples of this stage are found in the Elizabethan love lyrics , as , for instance , Mar- lowe's The Passionate Sheepheard to his Love . The second stage " of the unconscious period is that in which the object is not merely ...
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Alphonso Smith Andrea del Sarto Antony Arnold Smith art of construction artistic attitude Bret Browning Browning's century character portrayal characteristic Clara Vere cobbler conjunction conscious art considered contribution dialect dramatic mono dramatic monologue form dramatic occasion dramatic spirit Edmund Gosse Einenkel elements ellipsis English Literature English Lyric Poetry epic essential example expression form of poetry gerund give Grammatik greatest Henry VIII idiom illustrate individual influence interest Jephtha's Daughter Last Duchess literary logue London love lyric Love's Labor's Lost lover Lucrece Main Tendencies Mätzner ment method natural Othello participle group Patriot period person poem poet present relation reveals Richard II says selected Shakespeare short story sion sonnet speak speaker and hearer stage struction style subordinate clause Tendencies of Victorian Tennyson thee thou thoughts and emotions three constituent tion Troilus Twelfth Night type of poetry University of North Vere de Vere Victorian age Victorian Poetry wife Winter's Tale words writer