Studies in Philology, Volume 4University of North Carolina Press, 1963 |
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Pagina 42
... artistic " are more comprehensive than those indicated by conscious and unconscious art , yet they are based upon the same principle of development , namely , that " art , -thought and purpose , that is , -slowly took place of ...
... artistic " are more comprehensive than those indicated by conscious and unconscious art , yet they are based upon the same principle of development , namely , that " art , -thought and purpose , that is , -slowly took place of ...
Pagina 65
... artistic limited his powers to produce dramatic monologues . " His style was not flexible enough to adjust itself to dramatic expression . His one long , six - accented line , continually resolv- ing itself into a rhythmical harmony ...
... artistic limited his powers to produce dramatic monologues . " His style was not flexible enough to adjust itself to dramatic expression . His one long , six - accented line , continually resolv- ing itself into a rhythmical harmony ...
Pagina 67
... artistic instinct , but he analyses the complete production and determines the relative value of each element . The rank of each of these is fixed according to the effect it gives to the whole . Form is no longer second- ary , but vital ...
... artistic instinct , but he analyses the complete production and determines the relative value of each element . The rank of each of these is fixed according to the effect it gives to the whole . Form is no longer second- ary , but vital ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
Alphonso Smith Andrea del Sarto Antony Arnold Smith art of construction artistic attitude Bret Browning Browning's century character portrayal characteristic Clara Vere cobbler conjunction conscious art considered contribution dialect dramatic mono dramatic monologue form dramatic occasion dramatic spirit Edmund Gosse Einenkel elements ellipsis English Literature English Lyric Poetry epic essential example expression form of poetry gerund give Grammatik greatest Henry VIII idiom illustrate individual influence interest Last Duchess literary logue London love lyric Love's Labor's Lost lover Lucrece Lyric Poetry Main Tendencies Mätzner ment method natural Othello participle group Patriot period person poem poet present relation reveals Richard II says selected Shakespeare short story sion sonnet speak speaker and hearer stage struction style subordinate clause Tendencies of Victorian Tennyson thee thou thoughts and emotions three constituent tion Troilus Twelfth Night type of poetry University of North Vere de Vere Victorian age Victorian Poetry wife Winter's Tale words writer