Studies in Philology, Volume 4University of North Carolina Press, 1963 |
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Pagina 69
... Browning's central object , then , is the revelation of the activities and conceptions of the soul of a character . Instead of doing this by a series of incidents , in which the individual is brought into contact with other characters ...
... Browning's central object , then , is the revelation of the activities and conceptions of the soul of a character . Instead of doing this by a series of incidents , in which the individual is brought into contact with other characters ...
Pagina 78
Browning's second contribution , then , was the dramatic occa- sion . His third contribution was his style . By no means is this saying that the styles of preceding poets were inferior in other respects , but that in the case of the ...
Browning's second contribution , then , was the dramatic occa- sion . His third contribution was his style . By no means is this saying that the styles of preceding poets were inferior in other respects , but that in the case of the ...
Pagina 79
... Browning's characters life - like , but they are selected from a wider range than are those of Tennyson . Browning's array of characters includes individuals from all classes and from all ages . When he wishes to present a view or an ...
... Browning's characters life - like , but they are selected from a wider range than are those of Tennyson . Browning's array of characters includes individuals from all classes and from all ages . When he wishes to present a view or an ...
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Alphonso Smith Andrea del Sarto Antony Arnold Smith art of construction artistic attitude Bret Browning Browning's century character portrayal characteristic Clara Vere cobbler conjunction conscious art considered contribution dialect dramatic mono dramatic monologue form dramatic occasion dramatic spirit Edmund Gosse Einenkel elements ellipsis English Literature English Lyric Poetry epic essential example expression form of poetry gerund give Grammatik greatest Henry VIII idiom illustrate individual influence interest Jephtha's Daughter Last Duchess literary logue London love lyric Love's Labor's Lost lover Lucrece Main Tendencies Mätzner ment method natural Othello participle group Patriot period person poem poet present relation reveals Richard II says selected Shakespeare short story sion sonnet speak speaker and hearer stage struction style subordinate clause Tendencies of Victorian Tennyson thee thou thoughts and emotions three constituent tion Troilus Twelfth Night type of poetry University of North Vere de Vere Victorian age Victorian Poetry wife Winter's Tale words writer