Studies in Philology, Volume 4

action Antony artistic assumed attention attitude become beginning Browning Browning's century character characteristic clear clearly combined conjunction conscious Consequently considered constituent construction contribution daughter death demands direct directly distinct dramatic mono dramatic monologue dramatic occasion effect elements Elizabethan emotions employed English essential example experience explanation expression feelings final gerund give greatest hand hearer Henry illustrate importance individual influence intensity interest Italy John literary Literature logue London Lost Love's lover lyric merely method MICHIGAN mind natural never object occasion origin participle pass perfect period person poem poet poetry portrayed present productions question received relation result reveals says seems seen selected Shakespeare short similar situation sonnet speak speaker spirit stage story style subordinate clause Tennyson thee thou thoughts tion treatment true unconscious UNIVERSITY Vere Victorian wife writer York