Shakespeare, Machiavelli, and Montaigne: Power and Subjectivity from Richard II to HamletOxford University Press, 2002 - 286 pagina's The four plays of Shakespeare's Henriad and the slightly later Hamlet brilliantly explore interconnections between political power and interior subjectivity as productions of the newly emerging constellation we call modernity. Hugh Grady argues that for Shakespeare subjectivity was a critical, negative mode of resistance to power--not, as many recent critics have asserted, its abettor. |
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Power and Subjectivity from Richard II to Hamlet Hugh Grady. SHAKESPEARE , MACHIAVELLI , & MONTAIGNE Power and Subjectivity from Richard II to Hamlet HUGH GRADY Shakespeare , Machiavelli , and Montaigne This One BX14 -. OXFORD Front Cover.
Power and Subjectivity from Richard II to Hamlet Hugh Grady. SHAKESPEARE , MACHIAVELLI , & MONTAIGNE Power and Subjectivity from Richard II to Hamlet HUGH GRADY Shakespeare , Machiavelli , and Montaigne This One BX14 -. OXFORD Front Cover.
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Power and Subjectivity from Richard II to Hamlet Hugh Grady. Shakespeare , Machiavelli , and Montaigne This One BX14 - GP2 - OCF1 OXFORD UNIVERSITY PRESS Great Clarendon Street , Oxford OX2 6DP.
Power and Subjectivity from Richard II to Hamlet Hugh Grady. Shakespeare , Machiavelli , and Montaigne This One BX14 - GP2 - OCF1 OXFORD UNIVERSITY PRESS Great Clarendon Street , Oxford OX2 6DP.
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... Oxford OX2 6DP Oxford University Press is a department of the University of Oxford . It furthers the University's objective of excellence in research , scholarship , and education by publishing worldwide in Oxford New York Auckland Cape ...
... Oxford OX2 6DP Oxford University Press is a department of the University of Oxford . It furthers the University's objective of excellence in research , scholarship , and education by publishing worldwide in Oxford New York Auckland Cape ...
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Veelvoorkomende woorden en zinsdelen
Adorno aesthetic Althusser argued audience Bolingbroke Cambridge carnival celebrated central character complex concepts connection context counterfeit critical crucial cultural defined discourse discussed Dollimore dramatic dynamics E. M. W. Tillyard earlier early modern Elizabethan England English Essays Essex Falstaff fictions Fluellen Foucault France Frankfurt School French Greenblatt Hal's Hamlet Harry's Hayward's Henriad Henry IV plays heroic Horkheimer Hotspur Hugh Grady human idea identity ideology interpellation Jonathan Dollimore King Harry King Henry King Lear Lacan logic London Machia Machiavellian Machiavellian politics Machiavellian power Metadrama modern subjectivity Modernist Montaigne Montaigne's Niccolò Machiavelli Oxford play's plebeian potential Prince Hal reading reified Renaissance repr resistance Richard Richard II role Routledge scene seems sense Shakespeare studies Shakespeare's History Shakespeare's play Shakespeare's Universal Wolf Shakespearian Sir John social soliloquy Stephen Greenblatt tavern world theatrical thematic themes theory thou tradition tragedies trans Troilus and Cressida unfixed subjectivity University Press vellian William Shakespeare York
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Hamlet, Protestantism, and the Mourning of Contingency: Not to be John E. Curran Fragmentweergave - 2006 |
Hamlet, Protestantism, and the Mourning of Contingency: Not to be John E. Curran Geen voorbeeld beschikbaar - 2006 |