A Course of Lectures on Dramatic Art and LiteratureH.G. Bohn, 1846 - 535 pagina's |
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Pagina 99
... perhaps impos- sible : I am inclined , however , to believe that is only because of his wisdom and moderation that Sophocles appears less bold , since he always goes to work with the greatest energy , and perhaps with even a more ...
... perhaps impos- sible : I am inclined , however , to believe that is only because of his wisdom and moderation that Sophocles appears less bold , since he always goes to work with the greatest energy , and perhaps with even a more ...
Pagina 144
... perhaps the mute under part of a maid , for the sake of giving to the representation of his piece the slight ornament of bodily agility . The history of ancient tragedy ends with Euripides , although there were a number of still later ...
... perhaps the mute under part of a maid , for the sake of giving to the representation of his piece the slight ornament of bodily agility . The history of ancient tragedy ends with Euripides , although there were a number of still later ...
Pagina 345
... perhaps , from put- ting ourselves in the place of those who are first forming an acquaintance with him : we are too familiar with his most striking peculiarities , to be able to pronounce upon the first impression which they are ...
... perhaps , from put- ting ourselves in the place of those who are first forming an acquaintance with him : we are too familiar with his most striking peculiarities , to be able to pronounce upon the first impression which they are ...
Inhoudsopgave
Preface of the Translator | 1 |
Memoir of the Life of Augustus William Schlegel | 7 |
LECTURE I | 17 |
Copyright | |
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Overige edities - Alles bekijken
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A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
A Course of Lectures on Dramatic Art and Literature, Volume 1 August Wilhelm von Schlegel Volledige weergave - 1840 |
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action actors admiration altogether ancient appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra composition considered Corneille critics death dignity display dramatic art dramatic poet effect Electra elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling French Tragedy frequently give Grecian Greek tragedies Greeks hand heroes heroic honour human idea imitation intrigue invention Italian Julius Cæsar labours language literature manner masks means Menander merely Metastasio mind modern Molière moral nature never noble object observed Old Comedy opera opinion Orestes original painted passion peculiar persons Philoctetes picture pieces Plautus play players poet poetical poetry possess produce Racine racter representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage style talent taste theatre theatrical thing tion tone tragedians tragic true truth unity verse versification Voltaire whole